Despite the craziness of my schedule, this was a pretty good month for reading. I passed 100 volumes read for the year, and 150 pieces of short prose. I have even managed to retain most of what I have read, which is a bonus.
Books and Journals
- Mario Levrero, Empty Words [2022.09.04]
- The Paris Review #230 [2022.09.06]
- The Paris Review #231 [2022.09.11]
- T L Greylock and Bryce O’Connor, Shadows of Ivory [2022.09.13]
- Sara M. Harvey, The Convent of the Pure [2022.09.16]
- The Paris Review #232 [2022.09.16]
- Sara M. Harvey, Labyrinth of the Dead [2022.09.16]
- Marguerite Duras (Kazim Ali, translator), Abahn Sabana David [2022.09.18]
- The Paris Review #233 [2022.09.21]
- The Paris Review #234 [2022.09.25]
- The Paris Review #235 [2022.09.29]
- Poetry #221.1, October 2022 [2022.09.29]
Short Prose
- Anuk Arudpragasam, “Last Rites”, The Paris Review #230 [2022.09.01]
- Diane Williams, “Garden Magic”, The Paris Review #230 [2022.09.02]
- Leigh Newman, “Howl Palace”, The Paris Review #230 [2022.09.02]
- William Styron, “From an Unfinished Novel”, The Paris Review #230 [2022.09.03]
- Olivia Clare, “Women and Men Made of Them”, The Paris Review #230 [2022.09.05]
- Matthew Baker, “Why Visit America”, The Paris Review #230 [2022.09.06]
- Emma Cline, “The Nanny”, The Paris Review #231 [2022.09.06]
- Willa C. Richards, “Failure to Thrive”, The Paris Review #231 [2022.09.07]
- Fernanda Melchor (Sophie Hughes, translator), “They Called Her the Witch”, The Paris Review #231 [2022.09.09]
- Kathryn Scanlan, “Yet You Turn to the Man”, The Paris Review #231 [2022.09.11]
- Taylor Koekkoek, “Dirtnap”, The Paris Review #231 [2022.09.11]
- Molly McCully Brown, “If You Are Permanently Lost”, The Paris Review #231 [2022.09.11]
- Clare Sestanovich, “By Design”, The Paris Review #232 [2022.09.12]
- Beth Nguyen, “Apparent”, The Paris Review #232 [2022.09.13]
- Jesse Ball, “Diary of a Country Mouse”, The Paris Review #232 [2022.09.13]
- Senaa Ahmad, “Let’s Play Dead”, The Paris Review #232 [2022.09.14]
- Rebecca Makkai, “A Story for Your Daughters, a Story for Your Sons”, The Paris Review #232 [2022.09.15]
- Ashleigh Bryant Phillips, “An Unspoken”, The Paris Review #232 [2022.09.15]
- Andrew Martin, “Childhood, Boyhood, Youth”, The Paris Review #232 [2022.09.16]
- Sarah Manguso, “Perfection”, The Paris Review #233 [2022.09.16]
- Emily Hunt Kivel, “The Juggler’s Wife”, The Paris Review #233 [2022.09.19]
- Ottessa Moshfegh, “I Was A Public Schooler”, The Paris Review #233 [2022.09.21]
- Jamel Brinkley, “Witness”, The Paris Review #233 [2022.09.21]
- Amy Silverberg, “The Duplex”, The Paris Review #233 [2022.09.21]
- Rabih Alameddine, “The July War”, The Paris Review #234 [2022.09.21]
- Shirley Hazzard, “An Unpublished Story”, The Paris Review #234 [2022.09.22]
- Shanteka Sigers, “A Way with Bea”, The Paris Review #234 [2022.09.22]
- Eloghosa Osunde, “Good Boy”, The Paris Review #234 [2022.09.24]
- Thomas McGuane, “Slant Six”, The Paris Review #234 [2022.09.25]
- Ayşegül Savaş, “Layover”, The Paris Review #234 [2022.09.25]
- Lydia Davis, “Six Stories”, The Paris Review #234 [2022.09.25]
- Patrick Barrett, “Saint Cuthbert’s Incorruptible Body”, The Paris Review #234 [2022.09.25]
- György Dragomán (Ottilie Mulzet, translator), “The Puppet Theater”, The Paris Review #235 [2022.09.26]
- Dantiel W. Moniz, “The Loss of Heaven”, The Paris Review #235 [2022.09.26]
- Melissa Febos, “The Mirror Test”, The Paris Review #235 [2022.09.26]
- Jack Livings, “River Crossing”, The Paris Review #235 [2022.09.29]
- Anthony Veasna So, “Maly, Maly, Maly”, The Paris Review #236 [2022.09.30]
- Mary Kuryla, “Hive”, The Paris Review #236 [2022.09.30]
- John Jeremiah Sullivan, “Uhtceare”, The Paris Revew #236 [2022.09.30]