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Category: Literary Matters

IWSG, August, 2023: Woulda, Coulda, Shoulda

2023-08-022023-08-02 John Winkelman

Poe, looking out over her domain.

(Poe, surveying her domain, which is everything.)

Oh, what a month was July. There have been hotter summers here in Grand Rapids, and there have been more humid summers, but I don’t remember a summer when it was so unpleasant to be outdoors for so much of the time.

I imagine the perpetual smoke from the Canadian wildfires might have something to do with it. But there are up-sides. As Ray Barboni said in Get Shorty, “They the f*cking smog is the f*cking reason you have such beautiful f*cking sunsets.”

Last weekend, for the first time since well before the COVID lockdowns, I attended a writer’s group. It was…wonderful! And now I have a plan for what I am going to work on for the rest of the year.

The Insecure Writer’s Support Group question for August 2023 is: Have you ever written something that afterwards you felt conflicted about? If so, did you let it stay how it was, take it out, or rewrite it?

Occasionally. Less so now than in the earlier days of my writing, simply because I have had more practice and am more likely to spot problematic passages and ideas earlier in the process. But sometimes something slips past and makes it into a later draft.

Then there are projects like my first NaNoWriMo story, back in 2013. It was a technothriller set about fifty years from now in Gabon. I chose Gabon purely for geologic and climate reason, with no thought given to the history and culture of Gabon and Libreville, Gabon’s capital city. There isn’t much information on the culture of Gabon right now, and was much less 12 years ago. So while I still think the bones of the story are good, if I want to complete it for publishing I will need to seriously rework every character, as well as my assumptions about what Gabonaise culture will look like in 2075.

A more mundane example: For my 2018 NaNoWriMo story (NaNoWriMo again!) I wrote a book which was basically a transcript of multiple interactions with a terrible neighbor, rearranged and with a wish-fulfilling ending tacked on. I used everyone’s real names, so if I do try for publication, I will need to make some changes. I do this not to protect the innocent, or preserve privacy, but because, in the extremely unlikely event that the neighbor in question reads the book, I don’t want to get sued. So perhaps this isn’t something I feel conflicted about so much as a timely application of enlightened self-interest.

 

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Posted in Literary MattersTagged Gabon, IWSG, NaNoWriMo, writing 2 Comments on IWSG, August, 2023: Woulda, Coulda, Shoulda

IWSG, July 2023: Where Do They Come From? Where Do They Go?

2023-07-052023-07-03 John Winkelman

Poe gazing out at the neighborhood

Well it’s been a crazy couple of months here at the Library of Winkelman Abbey. A major landscaping project took up most of May and June, with the final brick laid on June 28. I am on an extremely busy project at work which will keep me occupied through July 2024, and Zyra and I took a whirlwind trip around Lake Michigan, stopping in Chicago, Madison, Marquette, and Sault Ste. Marie. We saw several people who we have missed dearly, and while the break in the routine was much-needed, it was a lot of driving. Well over 1,200 miles in five days.

All of which is to say, my writing time since the Equinox has been basically non-existent.

But I have this week off from work, and am spending as much time as I can sitting on the porch with books and cats and various drinks and snacks. Therefore this is a week for recovery.

Since November 2022 (NaNoWriMo) I have written practically nothing, other than infrequent blog posts and almost-daily journaling. In past years I would have a pile of poetry, short stories, essays, etc. scattered around my house, laptop and brain. This year, that was not the case.

For a time I thought it might be an after-effect of contracting COVID back in January, but my newest theory is this:

For my entire adult life writing has been a social activity. I started when I worked at Schuler Books, sharing ideas with my cow-orkers and participating in weekly group discussions and writing groups. We were a mutually reinforcing, ever-evolving group of creative and talented weirdos, and we always had something new in the works.

Somewhere in the early 2000s, well after leaving the bookstore, the writing began to taper off, though I kept up with the journaling, and when blogging became A Thing I took to it like crazy (note that the archives on this site go back to 1999).

In November 2013, at the tail end of a profoundly hellish couple of years, I participated in my first NaNoWriMo, and joined a local writing group. This turned into five years of running Caffeinated Press, and though I was busier than ever before in my life, I still found plenty of time and energy to write creatively.

This was because, again, I was surrounded with creative people engaged in creative work, feeding off of that energy and contributing to it as part of multiple writing groups and projects.

For obvious reasons, social interaction here is 2023 is a much different thing than it was in 2018. And I am in a long-term relationship, and I am in my mid-fifties, and the world is a different place than it was five years ago. And I am a much different person than I was five years ago.

One of the biggest personal changes is that I have almost no solitude any more. My time to myself is measured in minutes, where it used to be measured in days. Therefore the thought of adding more interactions with people fills me with anxiety. Yet my writing habits of the past thirty years are tightly tied to being part of a writing community. Groups like IWSG are helpful but limited; for me, there are too many spatial, temporal, and digital interfaces between the participants to cultivate a sense of community like back in The Old Days.

But time only moves in one direction (for most of us, anyway), and having had the above realization, and having thought it through, now I can begin to do something about it. Time to get back to work.

The Insecure Writer’s Support Group question for July 2023 is: 99% of my story ideas come from dreams. Where do yours predominantly come from?

My story ideas can come from almost anywhere. Most common is from being out in the world, talking to people or walking the streets of Grand Rapids, or sitting in a cafe or relaxing at the beach. Which is to say that most of my ideas come from those moments when I don’t have much else going on, and have the time and brain-space to follow a thought far enough to turn it into the seed of a story or poem.

That doesn’t mean that I have time to write the idea down; simply that the idea exists. If I remember it long enough to write it down, it is probably something worth exploring.

 

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Posted in Literary MattersTagged IWSG, writing 4 Comments on IWSG, July 2023: Where Do They Come From? Where Do They Go?

IWSG, June 2023: If Not This, Then What?

2023-06-072023-06-10 John Winkelman

[2023.06.10 NOTE: This post was written several days later than was originally scheduled.]

Hi Everyone! I am just returned from a whirlwind trip around Lake Michigan where my partner and I stopped to visit friends and family in Madison WI, Marquette MI, and Sault Ste. Marie MI. Thus the lateness and brevity of this post.

The Insecure Writer’s Support Group question for June 2023 is: If you ever did stop writing, what would you replace it with?

Good question! I would probably increase my practice time at Master Lee’s school. Then again that is something I should do anyway. Honestly, I can’t fathom what it would be like to stop writing, so a safe answer is that if something were to stop me from writing, it would probably be the kind of circumstance or event which would prevent me from doing almost everything else too.

 

 

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Posted in Literary MattersTagged IWSG, writing 4 Comments on IWSG, June 2023: If Not This, Then What?

IWSG, May 2023: You’re My Inspiration

2023-05-032023-05-03 John Winkelman

Poe with a blep

Yeah, the above photo sums up my state of mind for the past month.

Not long after posting the April IWSG response, the burnout came crashing down and my mental capacity was reduced to little more than spasmodically responding to immediate stimuli. Fortunately, in my day job I am a programmer. Programming, when you boil it down to the essentials, is really about creating specific responses to specific stimuli. We call it “input”, but why split hairs?

Therefore my entire creative output for National Poetry Month came to maybe five poems, out of which at most one shows any promise. But I did become even more sleep deprived, which is a victory of sorts.

The May 2023 Insecure Writer’s Support Group question is: When you are working on a story, what inspires you?

This is a surprisingly difficult question to answer, as inspiration could change from story to story, or even from scene to scene within a story. So it might be more useful for me to answer that at a deeper level – what inspires me to be creative? And I think the answer to that is, the drive to create something which is ideally beautiful, hopefully internally consistent, and which effectively communicates the original multidimensional idea behind the story.

As I move well into middle age, and look back over the scores of stories and hundreds of poems in my portfolio, I think everything I have written is a facet of the same stone, and I am polishing that facet and presenting it to my readers and saying “Do you see?” And whether the answer is “yes” or “no,” I use that response as inspiration to hone my craft and try to communicate that idea through another facet, be it a novel, a short story, a poem, fantasy, science fiction, literary fiction, a game, or a scribbled note in the margins of an old Dungeons and Dragons character sheet.

At the beginning each of my creative works is inspired by asking “what if?”

As I near the end of the process, the inspiration may mutate into desperation because I just want to be able to write THE END without, you know, skipping to THE END.

As a final note, I want to thank the IWSG community for accepting me into their ranks. I have been participating for just over two years, and writing these posts, and reading the other answers to the monthly questions, help keep me focused and, frankly, inspired.

 

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Posted in Literary MattersTagged IWSG, writing 5 Comments on IWSG, May 2023: You’re My Inspiration

IWSG, April 2023: The First One

2023-04-052023-04-05 John Winkelman

Maple buds against a clear blue morning sky.

Oh, what a month was March. The hours seemed to fly by, but the days dragged. The weather is much improved, though the warmest day of the year so far was back in February.

I have a new project at work which, while not demanding any more time than any other project, is taking vastly more mental energy than I am used to, so writing over the past month has been sparse.

April is National Poetry Month! As with the past several Aprils, I attempt to write a poem a day for the month, while primarily reading poetry, just to keep my head in that space. So far I have written four poems, which brings my total for the year to, uh, four.

The Insecure Writer’s Support Group question for April 2023 is:

Do you remember writing your first book? What were your thoughts about a career path on writing? Where are you now and how is it working out for you? If you’re at the start of the journey, what are your goals?

I have written six books over the past decade, thanks to NaNoWriMo. Of those six, two (one literary fiction, one magic realism/weird fiction) are completed first drafts. The rest are in various stages of “in progress” or “abandoned.”

It goes without saying, therefore, that I have not yet published any books of my own writing.

I have never expected to make a career out of writing books, or indeed any other kind of writing. The few pieces I have had published (short stories, poems) were not published at paying markets. This is fine. I used to run a small publisher, and I know how these things go.

But I suppose a “career” is not necessarily the same thing as whatever we do for our main, or even secondary (tertiary, etc.) source of income. This eases the pressure on writing by loosening time constraints and making those self-imposed deadlines more like guidelines. This works both for and against us, as I am sure all of you have discovered at one time or another.

As for writing goals, it is difficult right now to make long-term writing plans. I have a great many stories and poems bouncing around in my head, but finding the quiet time to put those words to paper is not as easy as it was five years ago. I am a little older every year, and when given the option between half an hour of writing and half an hour of sleep, sleep will win every time.

Then again, April is finally here and today the outside temperature is expected to be above 70°. That would make today the warmest day of the year so far. I don’t know about you-all but warmer weather just makes everything easier.

Even writing.

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Posted in Literary MattersTagged IWSG, writing 1 Comment on IWSG, April 2023: The First One

March 2023 Books and Reading Notes

2023-04-012023-03-31 John Winkelman

March was a quieter month than usual, as winter dragged on and on and on, sucking the energy out of the world and making it difficult to stay awake during my usual reading times.

Point of interest: This is the first month, since I started tracking things back in 2015, in which I have only acquired one book or book-like object. The previous record for smallest monthly haul was 3.

Acquisitions

The Boston Review #2023.1: Speculation

  1. Boston Review #2023.1: Speculation [2023.03.04]

Reading List

Books I read to completion in March 2023.

Books and Journals

  1. Lawrence Ferlinghetti, Writing Across the Landscape [2023.03.13] – This was an interesting read. Ferlinghetti wrote beautifully about the many places he visited, and I enjoyed seeing how his artistic eye evolved over the five decades captured in this book. Highly recommended. May cause wanderlust.
  2. E. Catherine Tobler, The Kraken Sea [2023.03.15] –
  3. Jordan Kurella, I Never Liked You Anyway [2023.03.18] – A modern-day re-imagining of the story of Eurydice and Orpheus. I loved it!
  4. Shenaz Patel (Jeffrey Zuckerman, translator), Silence of the Chagos [2023.03.19]
  5. Lady Churchill’s Rosebud Wristlet #38 [2023.03.21] – As always, this was an excellent issue. I think my favorite story was A.B. Young’s “Vain Beasts.”
  6. David Albahari (Ellen Elias-Bursać, translator), Checkpoint [2023.03.23] – This was a weird, brilliant, discomforting read. The cover blurbs are right: Definite hints of Catch 22, Waiting for Godot, and (in my opinion) a little bit of Blood Meridian. Checkpoint is absurd and weird and ultimately futile.
  7. Neon Yang, The Ascent to Godhood [2023.03.26] – This was pretty good. Not quite as good as the first two novellas in the series, but I have yet to be disappointed by any of Yang’s work.
  8. Xu Zechen (Eric Abrahamsen, translator), Running Through Beijing [2023.03.28]

Short Prose

  1. Ellen Rhudy, “The Remaining”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.08]
  2. James L. Cambias, “René Descartes and the Cross of Blood”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.19]
  3. Nicole Kimberling, “Comfort Food”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.19]
  4. Emily B. Cataneo, “Bears at Parties”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  5. A.B. Young, “Vain Beasts”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  6. Sarah Monette, “The Oracle of Abbey Road (Blackbird Singing in the Dead of Night), Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  7. Joanna Ruocco, “Stone, Paper, Stone”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  8. S. Woodson, “Lime and the One Human”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.21]
Posted in Literary MattersTagged Boston Review, David Albahari, E. Katherine Tobler, Jordan Kurella, Lady Churchill's Rosebud Wristlet, Lawrence Ferlinghetti, Neon Yang, Shenaz Patel, Xu Zechen comment on March 2023 Books and Reading Notes

IWSG, March 2023: I Wish I’d Written That

2023-03-012023-02-28 John Winkelman

The past month was kind of hectic due to a new project at work coinciding with my girlfriend and I, after three years, finally contracting COVID. It wasn’t serious for either of us, thanks to both of us being fully vaccinated and boosted, but it was a boring two and a half weeks of being stuck in the house waiting for the home and PCR tests to come up negative.

Fortunately, we had the cats to keep us entertained.

The Insecure Writer’s Support Group question for March 2023 is: Have you ever read a line in novel or a clever plot twist that caused you to have author envy?

Well, I mean, YES!!!!!!! All the time. Almost every book I read has a turn of phrase, a scene, a twist, or something like that, which makes me say, “Well, dang! I wish I wrote that.”

The first one that comes to mind is a scene from Neil Gaiman‘s most excellent American Gods. One of the characters, let’s call him “MS,” is killed, and a few of the other characters hold a sort of wake for him, trading stories back and forth. After a little while MS is there, laughing along with the other characters and adding his own comments to the stories. It is handled so subtly that I had to go back and check that I was reading what I thought I was reading. The scene was so well written that there was no sense of disconnect, just a realization that “Well of course MS is going to show up at his own wake. That’s the kind of person [sic] he is!”

This description does scant justice to the scene.

Another is Mary Oliver‘s poem “The Poet Goes to Indiana” from her collection Why I Wake Early. In particular, this section:

…and there was once, oh wonderful,
a new horse in the pasture,
a tall, slim being-a neighbor was keeping her there—
and she put her face against my face,
put her muzzle, her nostrils, soft as violets,
against my mouth and my nose, and breathed me,
to see who I was…

Remarkable! In the fifth line, “soft as velvet” would have worked, but it would have been mundane. Ordinary. There are a million things as soft as velvet. But soft as violets? That is something unique, and enduring.

I could go on and on. Almost everything I read has at least one sentence which is noteworthy (and hopefully more than one, but not always). The moments of awe and revelation are infrequent, and valuable in their rarity.

(Also rare, fortunately, are the lines, plot twists, and scenes which make me think, “Thank the heavens I didn’t write that.” Uncommon but not unknown.)

I will repeat one of my guiding principles, as related by author Karen Lord: “Read well.” Reading well is as much a skill as writing well.

 

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

 

Posted in Literary MattersTagged IWSG, Mary Oliver, Neil Gaiman, reading comment on IWSG, March 2023: I Wish I’d Written That

January 2023 Books and Reading Notes

2023-02-022023-02-02 John Winkelman

Starting in 2023 I am combining my annual book acquisition list and my monthly readings lists into a single monthly post. Ideally my rate of reading will be greater than my rate of book acquisition. This month, however, I went to ConFusion, and while I did not grab as many books as I usually do, I still picked up four new titles.

Acquisitions

Acquisitions for the month of January 2023

  1. Hieu Minh Nguyen, Not Here (Coffee House Press) [2023.01.08] – I picked up Not Here on a whim, during a visit to Books & Mortar.
  2. Adrain Collins and Mike Myers (editors), The King Must Fall (Grimdark Magazine) [2023.01.10] – This is from a Kickstarter.
  3. Sheree Renée Thomas (editor), Sorghum and Spear (Outland Entertainment) [2023.01.12] – This is from a Kickstarter
  4. Lady Churchill’s Rosebud Wristlet #46 [2023.01.16] – Published by the excellent Small Beer Press.
  5. Catherine Stein, Eden’s Voice (self-published) [2023.01.21] – Acquired from the author at ConFusion 2023
  6. Catherine Stein, The Courtesan and Mr. Hyde (self-published) [2023.01.21] – Acquired from the author at ConFusion 2023
  7. Rami Ungar, The Pure World Comes (self-published) [2023.01.21] – Acquired from the author at ConFusion 2023
  8. Todd Sanders (editor), The Librarian (Air and Nothingness Press) [2023.01.21] – Acquired from one of the authors, Storm Michael Humbert, at ConFusion 2023.
  9. Shalash the Iraqi (Luke Leafgren, translator), Shalash the Iraqi (And Other Stories) [2023.01.24] – This is an arrival from my subscription to And Other Stories
  10. Johanna Hedva, Your Love Is Not Good (And Other Stories) [2023.01.24] – This is from my subscription to the catalog of And Other Stories.

Reading List

Books and Journals I read in January 2023

Books and Journals

  1. Dreamforge #1 [2023.01.02]
  2. Poetry [2023.01.03]
  3. Nicole Sealey, Ordinary Beast [2023.01.04]
  4. Kathe Koja, Velocities [2023.01.12]
  5. Ananda Devi (Jeffery Zuckerman, translator), Eve Out of Her Ruins [2023.01.15]
  6. Juan Tomás Ávila Laurel (Jethro Soutar, translator), The Gurugu Pledge [2023.01.23]
  7. Ho Sok Fong (Natascha Bruce, translator), Lake Like a Mirror [2023.01.31]

Short Prose

  1. Sarena Ulibarri, “The Spiral Ranch”, Dreamforge #1 [2023.01.01]
  2. Terra LeMay, “Glass Roses”, Dreamforge #1 [2023.01.01]
  3. Barbara Barnett, “Z-Spot”, Dreamforge #1 [2023.01.01]
  4. Steven Brust and Skyler White, “Smith’s Point”, Dreamforge #1 [2023.01.02]
  5. Kathe Koja, “At Eventide”, Velocities [2023.01.05]
  6. Kathe Koja, “Baby”, Velocities [2023.01.06]
  7. Kathe Koja, “Velocity”, Velocities [2023.01.06]
  8. Kathe Koja, “Clubs”, Velocities [2023.01.08]
  9. Kathe Koja, “Urb Civ”, Velocities [2023.01.08]
  10. Kathe Koja, “Fireflies”, Velocities [2023.01.09]
  11. Kathe Koja, “Coyote Pass”, Velocities [2023.01.09]
  12. Kathe Koja, “Road Trip”, Velocities [2023.01.10]
  13. Kathe Koja, “Toujours”, Velocities [2023.01.10]
  14. Kathe Koja, “Far and Wee”, Velocities [2023.01.11]
  15. Kathe Koja, “The Marble Lily”, Velocities [2023.01.11]
  16. Kathe Koja, “La Reine D’Enfer”, Velocities [2023.01.12]
  17. Jim C. Hines, “144th Contact” (Patreon story) [2023.01.12]
  18. Kathe Koja, “Pas De Deux”, Velocities [2023.01.12]
  19. Ho Sok Fong, “The Wall”, Lake Like a Mirror [2023.01.25]
  20. Ho Sok Fong, “Radio Drama”, Lake Like a Mirror [2023.01.26]
  21. Ho Sok Fong, “Lake Like a Mirror”, Lake Like a Mirror [2023.01.28]
  22. Ho Sok Fong, “The Chest”, Lake Like a Mirror [2023.01.29]
  23. Ho Sok Fong, “Summer Tornado”, Lake Like a Mirror [2023.01.29]
  24. Ho Sok Fong, “Aminah”, Lake Like a Mirror [2023.01.29]
  25. Ho Sok Fong, “Wind through the Pineapple Leaves, through the Frangipani”, Lake Like a Mirror [2023.01.29]
  26. Ho Sok Fong, “October”, Lake Like a Mirror [2023.01.30]
  27. Ho Sok Fong, “March in a Small Town”, Lake Like a Mirror [2023.01.31]
Posted in Literary MattersTagged Ananda Devi, Catherine Stein, Dreamforge, Hieu Minh Nguyen, Ho Sok Fong, Jim C. Hines, Juan Tomas Avila Laurel, Kathe Koja, Kickstarter, Nicole Sealey, Rami Ungar, Storm Michael Humbert, translation comment on January 2023 Books and Reading Notes

IWSG, February 2023: Indie Book Covers

2023-02-012023-02-02 John Winkelman

Lindemayer system experiment

Happy February, O my pixel pushers and ink rearrangers!  And for those who observe the Lunar New Year, happy Year of the Water Rabbit! I am feeling re-energized after a weekend at ConFusion 2023 where I volunteered to help run the ‘con, participated on a couple of panels, and hung out with and talked to many many many great writers and artists. ConFusion is my favorite event, and a great way to start the year.

The Insecure Writer’s Support Group question for February 2023 is:

If you are an Indie author, do you make your own covers or purchase them? If you publish trad, how much input do you have about what goes on your cover?

I have played around with making covers for a couple of chapbooks, but never for an actual book, on account of I don’t have any actual books for which to create or commission cover art.

That being said, were I to commission a cover, I would make sure it was created by a human artist, with minimal or no use of any of the AI [sic] image generators (Midjourney, DALL-E 2, etc.) which have been recently in the news for, among other things, copyright infringement of the artwork on which the image generator’s base neural network was trained. Call me old-fashioned, but any art I pay for will be created by actual artist. And I say that as someone who has played around with generative art for over two decades.

More information on this issue here:
https://www.theverge.com/2023/1/16/23557098/generative-ai-art-copyright-legal-lawsuit-stable-diffusion-midjourney-deviantart
https://www.polygon.com/23558946/ai-art-lawsuit-stability-stable-diffusion-deviantart-midjourney
https://petapixel.com/2022/12/21/midjourny-founder-admits-to-using-a-hundred-million-images-without-consent/
https://www.digitalcameraworld.com/news/midjourney-founder-basically-admits-to-copyright-breaching-and-artists-are-angry

Speaking of computer-generated art, I created the above image with my Lindenmayer System Explorer. If you want to duplicate this and play around with it, enter the following bolded text into the “import/export” field, click “Import Data”, then click “render.”

{“iterations”:”4″,”lineLength”:”4″,”initialAngle”:”270″,”angle”:”30″,”angleTaper”:”0″,”lineWidth”:”2″,”lineScale”:”1″,”lineTaper”:”-1″,”lineColors”:”222222,000099,990000,999900″,”backgroundColor”:”000000″,”axiom”:”[F]+[F]+[F]+[F]+[F]+[F]+[F]+[F]+[F]+[F]+[F]+[F]+”,”grammar”:”F:[FF[F+F]F]F!fF[F-F]”}

Happy writing, everyone!

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

 

Posted in Literary MattersTagged art, IWSG, procedural art, publishing 3 Comments on IWSG, February 2023: Indie Book Covers

Thoughts on ConFusion 2023

2023-01-272023-03-03 John Winkelman

My badge and ribbons from ConFusion 2023

Last weekend I attended ConFusion 2023 with my partner Zyra, from Thursday morning through Sunday afternoon. This was my ninth ConFusion, and Zyra’s second. Her first experience was last year, still in the middle of the pandemic. 2022 was not, through no fault of their own, the best year in ConFusion’s history by a long shot. Fortunately 2023 was much improved, and though still small by the standards of many of the previous years, it was a lot of fun and felt like the ConFusions of old.

This year I volunteered as part of the Operations team and as a general dogsbody, taking care of those things which needed taking care of and lifting heavy things, as well as sitting at the Ops table in the early morning hours of Saturday and Sunday. I am used to waking up at 5:00 to feed the cats, work out, and write, so waking up at 5:00 to sit at a table in a mostly-empty hallway was not difficult, except when it came to staying awake.

I participated on two panels this year, “What do Trends in Artificial Intelligence Generated Art and Writing Mean for Artists and Authors?” on  Saturday with Jason Sanford, Rick Lieder, and Bill Higgins, and “Creativity in the Age of AI” on Sunday with Jason Sanford, Rick Lieder, and John Scalzi. I moderated the first, and Jason moderated the second. I had a great time on these panels, and will be posting about the content therein over the next couple of weeks.

The best part of conferences, of course, is the people. I spent most of my non-panel, non-Ops time hanging out in the bar area, talking to many wonderful people, and this experience filled my heart to near-bursting! Over the course of the long weekend, I spent time talking to, among others, Dave Palmer, Kathe Koja, Jason Sanford, Patrick Tomlinson, Maurice Broaddus, Rick Lieder, Jordan Kurella, ZigZag Claybourne, Saladin Ahmad, Catherine Stein, Rami Ungar, and Storm Michael Humbert. Many of these people I already knew, and the rest I met for the first time this past weekend. In both cases, my life was enriched by their presence.

I also spent a lot of time hanging out with the members of the ConFusion ConCom, talking about the history of ConFusion, the day-to-day tasks, the unexpected issues when working with hotels and bars, and the scores of other details which must be dealt with as they arise. These were fascinating discussions and only increased my respect for the volunteers who run fan conventions of all sorts.

So what’s next? At the moment I plan to be more involved with the next ConFusion in January 2024. That means that, after a few weeks off for rest and recovery, I will be sitting in on meetings with the ConCom and figuring out where I may be of the most assistance. And I am very much looking forward to this experience. ConFusion is one of my favorite events of the year, and I am happy – nay, eager – to contribute to its continued success in any way I can.

And before I forget, I treated myself to a new fountain pen, courtesy of Brad, the Pen Guy. It is beautiful to see, and a joy to write with.

Posted in Literary MattersTagged Catherine Stein, ConFusion, ConFusion 2023, Jason Sanford, John Scalzi, Jordan Kurella, Kathe Koja, Rami Ungar, Rick Lieder, Storm Michael Humbert 2 Comments on Thoughts on ConFusion 2023

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