Tag: Dyer Ives Poetry Contest

June 2022 Reading List

John Winkelman

What I read in June 2022

I finally made it through all of the back issues of Poetry Magazine I have been collecting for the past decade. Forty-some issues, read and appreciated and ready to be archived. Now I am working my way through back issues of The Paris Review, and enjoying the experience. I will likely let my subscription lapse at the end of the year, or go to digital-only, which gives me access to the entire online archives, which is an AMAZING resource. But no more physical copies.

Books and Journals

  1. Poetry Magazine #219.2 (November 2021) [2022.06.01]
  2. Poetry Magazine #219.3 (December 2021) [2022.06.03]
  3. Poetry Magazine #219.4 (January 2022) [2022.06.05]
  4. Hurley, Kameron, Future Artifacts: Stories [2022.06.05]
  5. Voices 2022 [2022.06.06]
  6. Poetry Magazine #219.5 (February 2022) [2022.06.06]
  7. Poetry Magazine #219.6 (March 2022) [2022.06.07]
  8. Poetry Magazine #220.1 (April 2022) [2022.06.09]
  9. Poetry Magazine #220.2 (May 2022) [2022.06.09]
  10. Poetry Magazine #220.3 (June 2022) [2022.06.09]
  11. Hariharan, Githa, Almost Home [2022.06.17]
  12. The Paris Review #215 [2022.06.18]
  13. The Paris Review #216 [2022.06.23]
  14. Monáe, Janelle, The Memory Librarian [2022.06.26]
  15. The Paris Review #217 [2022.06.26]
  16. The Paris Review #218 [2022.06.29]
  17. Poetry Magazine #220.4 (July/August 2022) [2022.06.30]

Short Prose

  1. Hurley, Kameron, “The Judgment of Gods and Monsters”, Future Artifacts: Stories [2022.06.02]
  2. Hurley, Kameron, “Broker of Souls”, Future Artifacts: Stories [2022.06.03]
  3. Hurley, Kameron, “The One We Feed”, Future Artifacts: Stories [2022.06.03]
  4. Hurley, Kameron, “Corpse Soldier”, Future Artifacts: Stories [2022.06.03]
  5. Hurley, Kameron, “Levianthan”, Future Artifacts: Stories [2022.06.03]
  6. Hurley, Kameron, “Unblooded”, Future Artifacts: Stories [2022.06.03]
  7. Hurley, Kameron, “The Skulls of Our Fathers”, Future Artifacts: Stories [2022.06.03]
  8. Hurley, Kameron, “Body Politic”, Future Artifacts: Stories [2022.06.04]
  9. Hurley, Kameron, “We Burn”, Future Artifacts: Stories [2022.06.04]
  10. Hurley, Kameron, “Antibodies”, Future Artifacts: Stories [2022.06.04]
  11. Hurley, Kameron, “The Traitor Lords”, Future Artifacts: Stories [2022.06.04]
  12. Hurley, Kameron, “Wonder Maul Doll”, Future Artifacts: Stories [2022.06.05]
  13. Hurley, Kameron, “Our Prisoners, the Stars”, Future Artifacts: Stories [2022.06.05]
  14. Hurley, Kameron, “The Body Remembers”, Future Artifacts: Stories [2022.06.05]
  15. Hurley, Kameron, “Moontide”, Future Artifacts: Stories [2022.06.05]
  16. Hurley, Kameron, “Citizens of Elsewhen”, Future Artifacts: Stories [2022.06.05]
  17. Hariharan, Githa, “Seven Cities and AnyCity”, Almost Home [2022.06.07]
  18. Freudenberger, Nell, “Found Objects“, The Paris Review #215 [2022.06.09]
  19. Hariharan, Githa, “Two Cities of Victory”, Almost Home [2022.06.12]
  20. Martin, Andrew, “With the Christopher Kids“, The Paris Review #215 [2022.06.13]
  21. Hariharan, Githa, “Toda Cafe Blues”, Almost Home [2022.06.14]
  22. Szalay, David, “Lascia Amor e siegui Marte”, The Paris Review #215 [2022.06.15]
  23. Bachelder, Chris, “The Throwback Special, part 3”, The Paris Review #215 [2022.06.16]
  24. Hariharan, Githa, “Mapping Freedom”, Almost Home [2022.06.17]
  25. Hariharan, Githa, “Speaking in Haiku”, Almost Home [2022.06.17]
  26. Hariharan, Githa, “Trailblazing in Andalusa”, Almost Home [2022.06.17]
  27. Hariharan, Githa, “Looking for a Nation, Looking at the Nation”, Almost Home [2022.06.17]
  28. Hariharan, Githa, “Bittersweet Danish”, Almost Home [2022.06.17]
  29. Hariharan, Githa, “Seeing Palestine”, Almost Home [2022.06.17]
  30. Hariharan, Githa, “Almost Home”, Almost Home [2022.06.17]
  31. Bischel, Peter, “Two Stories”, The Paris Review #215 [2022.06.17]
  32. Sorrentino, Christopher, “Apparition of Danhoff”, The Paris Review #215 [2022.06.18]
  33. Hale, Benjamin, “Don’t Worry Baby”, The Paris Review #216 [2022.06.18]
  34. Zevi, Anne-Laure (Angel, Mitzi, translator), “Nom”, The Paris Review #216 [2022.06.18]
  35. Teicher, Craig Morgan, “Four Stories”, The Paris Review #216 [2022.06.19]
  36. Beach, Jensen, “Migration”, The Paris Review #216 [2022.06.20]
  37. Gombrowicz, Witold (Bhambry, Tul’si, translator), “The Tragic Tale of the Baron and His Wife”, The Paris Review #216 [2022.06.21]
  38. Johnson, Dana, “She Deserves Everything She Gets”, The Paris Review #216 [2022.06.21]
  39. Monáe, Janelle and Johnson, Alaya Dawn, “The Memory Librarian”, The Memory Librarian [2022.06.23]
  40. Bachelder, Chris, “The Throwback Special, part 4”, The Paris Review #216 [2022.06.23]
  41. Monáe, Janelle and Lore, Danny, “Nevermind”, The Memory Librarian [2022.06.24]
  42. Cusk, Rachel, “Freedom”, The Paris Review #217 [2022.06.24]
  43. Arthurs, Alexia, “Bad Behavior”, The Paris Review #217 [2022.06.24]
  44. Nugent, Benjamin, “The Treasurer”, The Paris Review #217 [2022.06.25]
  45. Kroll-Zaidi, Rafil, “Lifeguards”, The Paris Review #217 [2022.06.25]
  46. Monáe, Janelle and Ewing, Eve L., “Timebox”, The Memory Librarian [2022.06.26]
  47. Monáe, Janelle and Delgado, Yohanca, “Save Changes”, The Memory Librarian [2022.06.26]
  48. Monáe, Janelle and Thomas, Sheree Renée, “Timebox Altar[ed]”, The Memory Librarian [2022.06.26]
  49. Campbell, Bonnie Jo, “Down”, The Paris Review #217 [2022.06.26]
  50. Gladman, Renee, “Five Things”, The Paris Review #217 [2022.06.26]
  51. Murnane, Gerald, “From Border Districts”, The Paris Review #217 [2022.06.26]
  52. Léger, Nathalie, “Barbara, Wanda”, The Paris Review #218 [2022.06.27]
  53. Martin, Andrew, “No Cops”, The Paris Review #218 [2022.06.29]
  54. Barrodale, Amie, “Protectors”, The Paris Review #218 [2022.06.29]
  55. Beattie, Ann, “Panthers”, The Paris Review #218 [2022.06.29]
  56. Sharma, Akhil, “The Well”, The Paris Review #218 [2022.06.29]

June, All At Once

John Winkelman

Voices 2022

I almost made it through the week without adding anything to the library, but at the last moment I attended the reading for the 2022 Dyer-Ives Poetry Contest. The winners and runners-up are collected in Voices, the annual magazine of the Dyer-Ives competition.

The event was wonderful! Over a dozen of the contestants read their pieces. They ranged in age from 7 or so to probably the late fifties, though the readers definitely skewed young, with all except maybe two being under thirty. The high school students had some of the most powerful poems, and the adult winner wrote a very pointedly anti-capitalist poem, which warmed the cockles of my aging heart.

I didn’t recognize anyone at the event, other than the coordinator Kelsey May, who I met in my capacity as editor at The 3288 Review, when we published a couple of her poems back in 2019. The readers made me feel, well, old. Then again, I consider this a good thing, because if after three years away I only saw the same people as in the Before Times, and they were all Millennials or Gen-X-ers, then something would be very wrong with the poetry community in Grand Rapids.

Yesterday evening Zyra and I wandered downtown to the Festival of the Arts and attended the Love and Peace Jam at the Calder stage. It was fantastic! Several local and regional poets, including Dyer-Ives Finalist Naiara Tamminga and Lansing poet Laureate Masaki Takahashi read and performed, and for the first time I had the privilege of hearing our own poet laureate Kyd Kane read her work at a live event. The event was coordinated by The Diatribe, with Foster (a.k.a. Autopilot) and Kyd Kane hosting.

In reading news, I am caught up to 2022 in my backlog of issues of Poetry Magazine. It still feels good to read such a variety of poetry in such a volume.

I am almost finished with Kameron Hurley‘s excellent collection Future Artifacts, which arrived recently from Apex Book Company. I really like Hurley’s work. Her writing is lush and gritty and I sometimes detect echoes of writers like Jack Vance and Robert Howard.

So now that I am reading poetry and short fiction, my next reading project is to work through all of my back issues of The Paris Review, which is a quarterly instead of a monthly, so I should be able to put a sizable dent in the backlog by the end of the year. The Paris Review publishes short fiction and nonfiction, poetry and interviews, so this should be an interesting, varied,  and enjoyable project.

In writing news, I am still typing up my poems from April. I would make much faster progress if my handwriting was not so terrible. One more thing to work on, I guess.