Tag: poetry

Happy New Year, etc.

John Winkelman

New arrivals in the week of December 25, 2022

Welcome to 2023! 2022 was overall a good year, but also exhausting, and so I am kind of happy to see it in the rearview mirror.

Two book arrived here at the house in the last week of the year. On the left is the January 2023 issue of Poetry, which  came as something of a surprise, as I thought my subscription ended with the previous issue. I guess I was mistaken.

On the right is Apex Magazine 2021, the printed collection of the stories which appeared in the electronic editions of Apex Magazine, from their successful Kickstarter. This book has the honor of being the last book to enter the Library at Winkelman Abbey in 2022, in that it arrived in the afternoon of December 31. Excellent timing!

In reading news, I made some progress through the first issue of the new incarnation of Dreamforge, but my brain is so fried from *gestures at everything* that I couldn’t motivate myself to do much more than watch The Blacklist and The Unbreakable Kimmy Schmidt, and play Stardew Valley.

In writing news, there is no writing news.

Starting in the new year, I will combine the “books I acquired” weekly posts with the “stuff I read” monthly posts, so now everything will be monthly. I plan to still do weekly (-ish) posts, but they will be both general and topical, and no longer exclusively about book stuff.

Happy New Year, everyone!

December 2022 Reading List

John Winkelman

What I Read in December 2022

This was another great month for reading, though the list is short. But such is necessarily the case for Dostoevsky December.

And this rounds out the list for the year. 120 books or journals, and 252 pieces of short prose. Not bad at all.

Books and Journals

  1. Fyodor Dostoevsky (Larissa Volokhonsky and Richard Pevear, translators), Crime and Punishment [2022.12.18]
  2. Poetry #221.3 [2022.12.19]
  3. The Paris Review #242 [2022.12.21]

Short Prose

  1. Avigayl Sharp, “Uncontrollable, Irrelevant”, The Paris Review #242 [2022.12.19]
  2. Addie E. Citchens, “A Good Samaritan”, The Paris Review #242 [2022.12.19]
  3. Mieko Kanai (Polly Barton, translator), “Tap Water”, The Paris Review #242 [2022.12.20]
  4. Sophie Madeline Dess, “Zalmanovs”, The Paris Review #242 [2022.12.21]
  5. Tom Drury, “Where Does This Live?”, The Paris Review #242 [2022.12.21]
  6. Isabella Hammad, “Gertrude”, The Paris Review #242 [2022.12.21]
  7. Lauren C. Teffeau, “Sing! & Remember”, Dreamforge #1 [2022.12.24]
  8. Jane Lindskold, “Born From Memory”, Dreamforge #1 [2022.12.24]
  9. Jean Martin, “I Am Not As Young As I Was”, Dreamforge #1 [2022.12.29]
  10. Paul Dellinger, “Con Man”, Dreamforge #1 [2022.12.29]
  11. Chris Sumberg, “Anthropomorphile”, Dreamforge #1 [2022.12.29]
  12. Scot Noel, “Walker in Leaves”, Dreamforge #1 [2022.12.29]
  13. Dr. Eric Leif Davin, “The Prophetic Vision of Stephen Vincent Benet”, Dreamforge #1 [2022.12.30]
  14. Tom Sheehan, “The Old Man Who Hid Music”, Dreamforge #1 [2022.12.30]

Merry Christmas, and All That

John Winkelman

New books for the week of December 18, 2022

I am typing this on my new Lenovo IdeaPad Flex 3 Chromebook, which I purchased to replace my aging ASUS Chromebook, which was good while it was good, but now is old enough that Google stopped pushing updates, and every month it was noticeably slower. Like with any new technology upgrade, it is fun and exciting for the moment, but at the end of the day it is a Chromebook, and I will use it mostly for writing, either creative work or blog posts like this one.

I picked up a couple of new books, VeloCities: Stories, and Dark Factory, both by Kathe Koja, who will be the Creative Guest of Honor at ConFusion 2023 in a few weeks.

In reading news, with Crime and Punishment completed I next finished the remaining volumes from my now-cancelled subscriptions to Poetry Magazine and The Paris Review. Now I am meandering my way through my backlog of issues of Pulphouse and Lady Churchill’s Rosebud Wristlet.

Not much to report on the writing front. My brain is mush from end-of-year burnout and also from a case of The Crud, which hit me a little over a week ago. I just bought a new fountain pen from Dryden Designs, with a fine nib. So far, I like it. We will see how the writing goes throughout the next few days.

December and All That

John Winkelman

New reading material for the week of November 27, 2022.

Well, NaNoWriMo is over, so my daily routine, such as it is, is back to normal. A little more reading, a little more journaling, a little more sleep. December is here, and with it the usual holiday angst, though there is considerably less this year than in the previous couple.

(just kidding about the sleep)

Two new bundles of bound pages arrived at the house in the past week. On the left is the latest issue of Poetry, which is almost certainly the last one for my subscription. And on the right is the eighth edition of the Long List Anthology of works which were considered for the Hugo award in the previous year, but didn’t win. These anthologies are excellent, full of superb and varied stories.

In reading news, I am well into Dostoevsky’s Crime and Punishment, and loving it! It’s a much easier read than The Brothers Karamazov, but then the list of books which fit that criteria is vast.

In writing news, things have slowed down just a little as I figure out how to connect what I wrote for NaNoWriMo with what I wrote before NaNoWriMo 2021. I have a sense for what I want to do, but knowing that no matter what I write to complete the pre-first draft will almost certainly be completely changed in the next edit, I have difficulty taking the step of putting my ass in the chair and typing those words.

Happy December, everyone!

October 2022 Reading List

John Winkelman

What I read in October 2022

This was the month I finally made it to the bottom of my stack of back issues of The Paris Review. It was a wondrous, wild ride full of some of the best writing I have experienced in my adult life, but I feel a sense of relief now that I am done.

This was also the month in which I passed 200 pieces of short prose read, which means 2022, for all its chaos and uncertainty, was a stellar year for reading.

Books and Journals

  1. The Paris Review #236 [2022.10.01]
  2. The Paris Review #237 [2022.10.04]
  3. The Paris Review #238 [2022.10.06]
  4. The Paris Review #239 [2022.10.09]
  5. The Paris Review #240 [2022.10.12]
  6. The Paris Review #241 [2022.10.13]
  7. Lady Churchill’s Rosebud Wristlet #31 [2022.10.15]
  8. Lady Churchill’s Rosebud Wristlet #32 [2022.10.18]
  9. Lady Churchiill’s Rosebud Wristlet #33 [2022.10.22]
  10. Marissa Lingen, Monstrous Bonds [2022.10.25]
  11. Jim Harrison, The Search for the Genuine [2022.10.28]
  12. Poetry #221.2 {2022.10.30}

Short Prose

  1. Yohanca Delgado, “The Little Widow from the Capital”, The Paris Review #236 [2022.10.01]
  2. Peyton Burgess, “A Supernatural Landscape of Love And Grief Not Unlike Your Own”, The Paris Review #236 [2022.10.01]
  3. Maxim Osipov (Boris Dralyuk, translator), “Sventa”, The Paris Review #236 [2022.10.01]
  4. Kenan Orhan, “The Beyoglu Municipality Waste Management Orchestra”, The Paris Review #237 [2022.10.02]
  5. Joy Katz, “Tennis is the Opposite of Death: A Proof”, The Paris Review #237 [2022.10.03]
  6. Vladimir Nabokov (Tatyana Gershkovich, translator), “A Monologue”, The Paris Review #237 [2022.10.03]
  7. Adania Shibli (Nora Parr, translator), “Mathematics, under Which Is Love, Whose Bed Is Language”, The Paris Review #237 [2022.10.03]
  8. Christina Wood, “A Summer Party”, The Paris Review #237 [2022.10.03]
  9. Lydia Conklin, “Rainbow Rainbow”, The Paris Review #237 [2022.10.03]
  10. Camille Bordas, “The Lottery in Almeria”, The Paris Review #237 [2022.10.04]
  11. Anuk Arudpragasam, “So Many Different Worlds”, The Paris Review #237 [2022.10.04]
  12. McKenzie, “We All Fall Down”, The Paris Review #238 [2022.10.05]
  13. Annie Baker, “Infinite Life (excerpt)”, The Paris Review #238 [2022.10.05]
  14. Caleb Crain, “Walks”, The Paris Review #238 [2022.10.06]
  15. Lawrence Jackson, “Letter from Lafayette Square”, The Paris Review #238 [2022.10.06]
  16. Chetna Maroo, “Brothers and Sisters”, The Paris Review #238 [2022.10.07]
  17. Emmanuel Carrére, “Exhaling”, The Paris Review #238 [2022.10.07]
  18. Sterling HolyWhiteMountain, “This Then Is a Song, We Are Singing”, The Paris Review #238 [2022.10.07]
  19. Lakiesha Carr, “Tomorrows,” The Paris Review #239 [2022.10.07]
  20. Will Arbery, “from Corsicana“, The Paris Review #239 [2022.10.08]
  21. Zach Williams, “Trial Run”, The Paris Review #239 [2022.10.08]
  22. Ishion Hutchinson, “Woman Sweeping”, The Paris Review #239 [2022.10.08]
  23. Kathran Scanlan, “Backsliders”, The Paris Review #239 [2022.10.09]
  24. Annie Ernaux (Alison L. Strayer, translator), “Diary, 1988”, The Paris Review #239 [2022.10.09]
  25. Paul Dalla Rosa, “I Feel It”, The Paris Review #239 [2022.10.09]
  26. Harriet Clark, “Descent”, The Paris Review #240 [2022.10.10]
  27. Esther Yi, “Moon”, The Paris Review #240 [2022.10.10]
  28. Rachel B. Glaser, “Ira & the Whale”, The Paris Review #240 [2022.10.10]
  29. Leonard Cohen, “Begin Again”, The Paris Review #240 [2022.10.10]
  30. Dan Bevacqua, “Riccardo”, The Paris Review #240 [2022.10.10]
  31. Robert Glück, “About Ed”, The Paris Review #240 [2022.10.10]
  32. Matthew Shen Goodman, “Lording”, The Paris Review #240 [2022.10.11]
  33. Darryl Pinckney, “For Snow Queens”, The Paris Review #240 [2022.10.11]
  34. Emma Cline, “Pleasant Glen”, The Paris Review #240 [2022.10.12]
  35. Nancy Lemann, “Diary of Remorse”, The Paris Review #241 [2022.10.12]
  36. Michelle de Kretser, “Winter Term”, The Paris Review #241 [2022.10.12]
  37. Sam Pink, “The Ceremony”, The Paris Review #241 [2022.10.12]
  38. Maya Binyam, “Do You Belong to Anybody?”, The Paris Review #241 [2022.10.12]
  39. Katherine Dunn, “The Education of Mrs. R.”, The Paris Review #241 [2022.10.12]
  40. Christian Kracht, “The Gold Coast”, The Paris Review #241 [2022.10.13]
  41. Jessy Randall, “You Don’t Even Have a Rabbit”, Lady Churchill’s Rosebud Wristlet #31 [2022.10.13]
  42. Goldie Goldbloom, “Never Eat Crow”, LCRW #31 [2022.10.13]
  43. Kathleen Jennings, “Skull and Hyssop”, LCRW #31 [2022.10.13]
  44. Owen King, “The Curator”, LCRW #31 [2022.10.15]
  45. Sarah Micklem, “The Necromancer of Lynka”, LCRW #31 [2022.10.15]
  46. Henry Wessells, “The Beast Unknown to Heraldry”, LCRW #32 [2022.10.16]
  47. Alyc Helms, “The Blood Carousel”, LCRW #32 [2022.10.16]
  48. Kodiak Julian, “Marrying the Sea”, LCRW #32 [2022.10.17]
  49. Joe M. McDermott, “Everything Is Haunted”, LCRW #32 [2022.10.17]
  50. Henry Lien, “The Shadow You Cast Is Me”, LCRW #32 [2022.10.17]
  51. Joanna Ruocco, “Auburn”, LCRW #32 [2022.10.17]
  52. Dylan Horrocks, “The Square of Mirrors”, LCRW #32 [2022.10.18]
  53. Nicole Kimberling, “Sleek Fat Albinos in Spring”, LCRW #32 [2022.10.18]
  54. Jade Sylvan, “Sun Circles”, LCRW #32 [2022.10.18]
  55. Carmen Maria Machado, “I Bury Myself”, LCRW #33 [2022.10.18]
  56. Christopher Brown, “Winter in the Feral City”, LCRW #33 [2022.10.18]
  57. Alena McNamara, “Starling Road”, LCRW #33 [2022.10.18]
  58. Giselle Leeb, “Ape Songs”, LCRW #33 [2022.10.18]
  59. Michelle Vider, “For Me, Seek the Sun”, LCRW #33 [2022.10.18]
  60. Deborah Walker, “Medea”, LCRW #33 [2022.10.20]
  61. D.K. McCutchen, “Jellyfish Dreaming”, LCRW #33 [2022.10.20]
  62. Sofia Samatar, “Request for an Extension on the Clarity“, LCRW #33 [2022.10.21]
  63. Nicole Kimberling, “Cook Like a Hobo”, LCRW #33 [2022.10.22]
  64. M. E. Garber, “Putting Down Roots”, LCRW #33 [2022.10.22]
  65. Eric Gregory, “The March Wind”, LCRW #33 [2022.10.22]
  66. Marissa Lingen, “Shrapnel From My Cousin’s Kaiju Battle: $229 Plus Shipping”, Monstrous Bonds [2022.10.25]
  67. Marissa Lingen, “Accountable Monsters”, Monstrous Bonds [2022.10.25]
  68. Marissa Lingen, “The River Horse Who Almost Ate Me, And His Lawyer”, Monstrous Bonds [2022.10.25]
  69. Marissa Lingen, “The Swarm of Giant Gnats I Sent After Kent, My Assistant Manager”, Monstrous Bonds [2022.10.25]
  70. Marissa Lingen, “After the Monster”, Monstrous Bonds [2022.10.25]

Time to Myself

John Winkelman

New books for the week of October 16, 2022

My partner was out of town for a few days, so I had the house to myself. Well, not entirely to myself. Better to say that Poe and Pepper had the house to themselves, with me furtively creeping around, making sure they stayed fed and feted, so they wouldn’t stage a coup. Not that much would change if they did so successfully.

October continues to be a stellar month for additions to the library, with several new titles arriving in the past week.

First up, fresh from a successful Kickstarter campaign, is Chokepoint Capitalism by Rebecca Giblin and Cory Doctorow.

Next is the latest issue of Poetry, probably my second-to-last as my subscription winds down.

Next is Legacy of Bronze by T.L. Greylock and Bryce O’Connor. This is the sequel to Shadows of Ivory, which I picked up at the beginning of the year and read about a month ago.

Next is one I have been awaiting for a very long time. The Herbalist’s Primer, published by Exalted Funeral, was part of a Kickstarter which I backed in September of last year. Thanks to *gestures at everything* printing was delayed many times, but the Kickstarter rewards finally arrived, and the book is beautiful!

In reading news, I am quite enjoying my journey through the pages of my stack of back issues of Lady Churchill’s Rosebud Wristlet. Such good writing in here!

In writing news, I am still plotting out the story I will write for NaNoWriMo which starts in a little over a week (!).

Hello October Again

John Winkelman

New reading material for the week of September 25, 2022

Well that September just flew by, didn’t it? It wasn’t a bad month, just busy and barely any time to sit and relax. All I can say is that it was a hell of a lot better than September 2021.

Three new books and journals have been added to the library in the past week.

First up is the October 2022 issue of Poetry, which arrived on Wednesday and I read on Thursday, because I had a chunk of quiet time.

Next is Cathy Park Hong‘s Minor Feelings, which I added to my list after coming across some of her poetry online. Upon returning home from Books and Mortar, we discovered that my partner Zyra had picked up a copy some months ago and it was sitting on a shelf in plain sight. At least now, as the joke goes, I can read it more than once.

On the right is The Search for the Genuine, the new collection of Jim Harrison‘s nonfiction writing. I doubt there is much in here that I have not already read at some point, but Harrison’s nonfiction is just a pleasurable a read as his fiction and poetry so this is a welcome addition to the collection.

In reading news, in addition to the above I am on the first issue of 2021 of The Paris Review, which means I have only half a dozen remaining in my stack. I might get one more issue. As stated before, I am going to focus on this journal until I am caught up to present, then move on to the next stack of back issues of something.

One of the consequences of reading so many short stories by such a wide variety of writers is that, inevitably, I discover people who have recently died. This happened back in July with Duncan Hannah, whose book Twentieth-Century Boy was excerpted in The Paris Review in 2017. Hannah died this past June, aged 69, which no longer seems very old to me.

This past Friday I cracked open issue #236 (Spring 2021) of The Paris Review. The first item therein is the brilliant short story “Maly, Maly, Maly” by Anthony Veasna So. So died in December 2020 at the age of 28, just before his first book Afterparties: Stories was released.

In writing news, I am planning out my NaNoWriMo project, so while I am taking a lot of notes, I am not writing anything at the moment with a coherent narrative. This will be the first time I have planned out a project in advance, beyond the most basic outline of the order of events. At the moment, I feel optimistic that I will actually finish the first draft before the end of the year.

September 2022 Reading List

John Winkelman

What I read in September 2022

Despite the craziness of my schedule, this was a pretty good month for reading. I passed 100 volumes read for the year, and 150 pieces of short prose. I have even managed to retain most of what I have read, which is a bonus.

Books and Journals

  1. Mario Levrero, Empty Words [2022.09.04]
  2. The Paris Review #230 [2022.09.06]
  3. The Paris Review #231 [2022.09.11]
  4. T L Greylock and Bryce O’Connor, Shadows of Ivory [2022.09.13]
  5. Sara M. Harvey, The Convent of the Pure [2022.09.16]
  6. The Paris Review #232 [2022.09.16]
  7. Sara M. Harvey, Labyrinth of the Dead [2022.09.16]
  8. Marguerite Duras (Kazim Ali, translator), Abahn Sabana David [2022.09.18]
  9. The Paris Review #233 [2022.09.21]
  10. The Paris Review #234 [2022.09.25]
  11. The Paris Review #235 [2022.09.29]
  12. Poetry #221.1, October 2022 [2022.09.29]

Short Prose

  1. Anuk Arudpragasam, “Last Rites”, The Paris Review #230 [2022.09.01]
  2. Diane Williams, “Garden Magic”, The Paris Review #230 [2022.09.02]
  3. Leigh Newman, “Howl Palace”, The Paris Review #230 [2022.09.02]
  4. William Styron, “From an Unfinished Novel”, The Paris Review #230 [2022.09.03]
  5. Olivia Clare, “Women and Men Made of Them”, The Paris Review #230 [2022.09.05]
  6. Matthew Baker, “Why Visit America”, The Paris Review #230 [2022.09.06]
  7. Emma Cline, “The Nanny”, The Paris Review #231 [2022.09.06]
  8. Willa C. Richards, “Failure to Thrive”, The Paris Review #231 [2022.09.07]
  9. Fernanda Melchor (Sophie Hughes, translator), “They Called Her the Witch”, The Paris Review #231 [2022.09.09]
  10. Kathryn Scanlan, “Yet You Turn to the Man”, The Paris Review #231 [2022.09.11]
  11. Taylor Koekkoek, “Dirtnap”, The Paris Review #231 [2022.09.11]
  12. Molly McCully Brown, “If You Are Permanently Lost”, The Paris Review #231 [2022.09.11]
  13. Clare Sestanovich, “By Design”, The Paris Review #232 [2022.09.12]
  14. Beth Nguyen, “Apparent”, The Paris Review #232 [2022.09.13]
  15. Jesse Ball, “Diary of a Country Mouse”, The Paris Review #232 [2022.09.13]
  16. Senaa Ahmad, “Let’s Play Dead”, The Paris Review #232 [2022.09.14]
  17. Rebecca Makkai, “A Story for Your Daughters, a Story for Your Sons”, The Paris Review #232 [2022.09.15]
  18. Ashleigh Bryant Phillips, “An Unspoken”, The Paris Review #232 [2022.09.15]
  19. Andrew Martin, “Childhood, Boyhood, Youth”, The Paris Review #232 [2022.09.16]
  20. Sarah Manguso, “Perfection”, The Paris Review #233 [2022.09.16]
  21. Emily Hunt Kivel, “The Juggler’s Wife”, The Paris Review #233 [2022.09.19]
  22. Ottessa Moshfegh, “I Was A Public Schooler”, The Paris Review #233 [2022.09.21]
  23. Jamel Brinkley, “Witness”, The Paris Review #233 [2022.09.21]
  24. Amy Silverberg, “The Duplex”, The Paris Review #233 [2022.09.21]
  25. Rabih Alameddine, “The July War”, The Paris Review #234 [2022.09.21]
  26. Shirley Hazzard, “An Unpublished Story”, The Paris Review #234 [2022.09.22]
  27. Shanteka Sigers, “A Way with Bea”, The Paris Review #234 [2022.09.22]
  28. Eloghosa Osunde, “Good Boy”, The Paris Review #234 [2022.09.24]
  29. Thomas McGuane, “Slant Six”, The Paris Review #234 [2022.09.25]
  30. Ayşegül Savaş, “Layover”, The Paris Review #234 [2022.09.25]
  31. Lydia Davis, “Six Stories”, The Paris Review #234 [2022.09.25]
  32. Patrick Barrett, “Saint Cuthbert’s Incorruptible Body”, The Paris Review #234 [2022.09.25]
  33. György Dragomán (Ottilie Mulzet, translator), “The Puppet Theater”, The Paris Review #235 [2022.09.26]
  34. Dantiel W. Moniz, “The Loss of Heaven”, The Paris Review #235 [2022.09.26]
  35. Melissa Febos, “The Mirror Test”, The Paris Review #235 [2022.09.26]
  36. Jack Livings, “River Crossing”, The Paris Review #235 [2022.09.29]
  37. Anthony Veasna So, “Maly, Maly, Maly”, The Paris Review #236 [2022.09.30]
  38. Mary Kuryla, “Hive”, The Paris Review #236 [2022.09.30]
  39. John Jeremiah Sullivan, “Uhtceare”, The Paris Revew #236 [2022.09.30]

September Morn

John Winkelman

Poe, and E.D.E Bell's book Night Ivy

Woke up a couple of days ago and BAM! It was September. Downtown is full of students, and for the first time in over two years, Grand Rapids feels like a city. At least, as much as it ever did.

Only one new book arrived in the past week, the limited-edition hardcover Kickstarter version of E.D.E. Bell‘s Night Ivy.

In reading news, I am almost through 2019 in my back issues of The Paris Review, which means I am still on track to finish the lot of them by the end of November.

In writing news, the August Poetry and Pie event this past Tuesday provided a big boost of inspiration and I feel like I might be ready to tackle some writing projects again. This was the largest gathering we have had since I started attending back in March. And the sound system was not available, so we gathered in the back room of The Sparrows around a large table and just read poetry at each other. It was great, though brief. I could have happily stayed for another couple of hours.

August 2022 Reading List

John Winkelman

What I read in August 2022

Things were kind of slow in August, reading-wise, due to a surge in burnout at the beginning of the month, and other assorted drains on my energy and attention span. I did make it through a few more issues of The Paris Review, and some interesting genre fiction as well.

Book and Journals

  1. Jennifer Pelland, Unwelcome Bodies [2022.08.02]
  2. The Paris Review #225 [2022.08.10]
  3. J.M. McDermott, Maze [2022.08.12]
  4. The Paris Review #226 [2022.08.18]
  5. The Paris Review #227 [2022.08.23]
  6. The Paris Review #228 [2022.08.28]
  7. Poetry Magazine #220.5 [2022.08.29]
  8. The Paris Review #229 [2022.08.31]

Short Prose

  1. Jennifer Pelland, “For the Plague Thereof Was Exceedingly Great”, Unwelcome Bodies [2022.08.01]
  2. Jennifer Pelland, “Big Sister/Little Sister”, Unwelcome Bodies [2022.08.01]
  3. Jennifer Pelland, “Immortal Sin”, Unwelcome Bodies [2022.08.01]
  4. Jennifer Pelland, “Flood”, Unwelcome Bodies [2022.08.01]
  5. Jennifer Pelland, “The Call”, Unwelcome Bodies [2022.08.01]
  6. Jennifer Pelland, “Captive Girl”, Unwelcome Bodies [2022.08.01]
  7. Jennifer Pelland, “Last Bus”, Unwelcome Bodies [2022.08.01]
  8. Jennifer Pelland, “The Last Stand of the Elephant Man”, Unwelcome Bodies [2022.08.01]
  9. Jennifer Pelland, “Songs of Lament”, Unwelcome Bodies [2022.08.02]
  10. Jennifer Pelland, “Firebird”, Unwelcome Bodies [2022.08.02]
  11. Jennifer Pelland, “Brushstrokes”, Unwelcome Bodies [2022.08.02]
  12. Wayétu Moore, “Gbessa”, The Paris Review #225 [2022.08.02]
  13. Ben Marcus, “Notes from the Fog”, The Paris Review #225 [2022.08.02]
  14. Katharine Kilalea, “OK, Mr. Field Part 3 (Winter)”, The Paris Review #225 [2022.08.08]
  15. Shruti Swamy, “A House Is a Body”, The Paris Review #225 [2022.08.09]
  16. Benjamin Nugent, “Safe Spaces”, The Paris Review #225 [2022.08.09]
  17. Ursula K. Le Guin, “Firelight”, The Paris Review #225 [2022.08.10]
  18. Rachel Khong, “The Freshening”, The Paris Review #226 [2022.08.11]
  19. Mitchell S. Jackson, “Exodus”, The Paris Review #226 [2022.08.13]
  20. Nell Freudenberger, “Rabbits”, The Paris Review #226 [2022.08.15]
  21. Diane Williams, “O Fortuna, Velut Luna”, The Paris Review #226 [2022.08.17]
  22. Venita Blackburn, “Fam”, The Paris Review #226 [2022.08.18]
  23. Pilar Fraile Amador (Heather D. Davis, translator), “Partners”, The Paris Review #226 [2022.08.18]
  24. Mary Miller, “Festival”, The Paris Review #226 [2022.08.18]
  25. Lincoln Michel, “A Feeling Artist”, The Paris Review #227 [2022.08.19]
  26. Leslie Jamison, “I Met Fear on the Hill”, The Paris Review #227 [2022.08.19]
  27. Ludmilla Petrushevskaya (Anna Friedrich, translator), “Two Sisters”, The Paris Review #227 [2022.08.22]
  28. Hernan Diaz, “The Stay”, The Paris Review #227 [2022.08.22]
  29. Kelli Jo Ford, “Hybrid Vigor”, The Paris Review #227 [2022.08.23]
  30. Peter Orner, “Ineffectual Tribute to Len”, The Paris Review #228 [2022.08.24]
  31. Isaac Bashevis Singer, “The Murderer”, The Paris Review #228 [2022.08.24]
  32. Kate Zambreno, “Four Stories”, The Paris Review #228 [2022.08.27]
  33. J. Jezewska Stevens, “Honeymoon”, The Paris Review #228 [2022.08.27]
  34. Hebe Uhart, “Coordination”, The Paris Review #228 [2022.08.27]
  35. Souvankham Thammavongsa, “The Gas Station”, The Paris Review #228 [2022.08.28]
  36. Nick Fuller Googins, “The Doors”, The Paris Review #228 [2022.08.28]
  37. Jonathan Escoffery, “Under the Ackee Tree”, The Paris Review #229 [2022.08.30]
  38. Kimberly King Parsons, “Foxes”, The Paris Review #229 [2022.08.30]
  39. Laura van den Berg, “Karolina”, The Paris Review #229 [2022.08.30]
  40. Lydia Davis, “Revising One Sentence”, The Paris Review #229 [2022.08.30]