Tag: writing

AI and Art: What Goes In Is What Comes Out, At Most

John Winkelman

Back in January, I participated on two AI Art-themed panels panels at ConFusion 2023. I discussed these panel briefly in my ConFusion 2023 follow-up post, but I wanted to add some thoughts here, specifically around ChatGPT and the use of computer generated content in the context of writing.

When it comes to ChatGPT creating content, whether that content be fiction or nonfiction, it does what all of these tools do: remixes previously existing content. I make no claims about whether the thing created by an algorithm is “art” or “creative” or even “new,” but what the new content does not do is transcend its input.

ChatGPT and similar tools are trained by scanning and (hopefully) contextualizing all of the text on the internet. While ChatGPT has (or had) safeguards in place to counter the large amount of hate speech endemic to the modern internet, it still has literally centuries or even millennia of content in its input stream. A great deal of that content is regressive or even revanchist by today’s sensibilities.

And since these machine learning tools can not imagine the new, they will continue to remix the old. Even as new, human-created works become available, this new data is miniscule compared to the vast troves of work on which these tools have already been trained. And a sizeable portion of the new inputs from these tools will be previous output from the same tools, resulting in a sort of solipsism which quickly becomes untethered from any human creativity or input, thus making a large portion of the output of those tools useless except as a point of curiosity.

Additionally, here are a few points of reference:

  1. That which is called “AI” in these contexts is not artificial intelligence as it is generally understood, but is variously either neural networks, the output of machine learning tools, pattern-matching algorithms, or (usually) some combination of the three, and in all cases the output is the result of running these tools against input which was generated, overwhelmingly but not exclusively, by humans.
  2. The landscape of AI-generated art, which includes text, music, and visual arts, is rapidly evolving.
  3. Opinions on the use of AI in the arts, as well as the effects of AI generators upon the profession and livelihood of artists, are wide and varied, and continue to evolve and gain nuance.

Some more links on this general topic:

IWSG, January 2023: The Word of the Year

John Winkelman

Poe (left) and Pepper eyeballing each other

The week before Christmas I was struck down by the flu. I worked from home for that week, and just when I started to feel better the Great Christmas Blizzard of 2022 covered West Michigan with a ridiculous amount of snow. Throughout these two weeks of isolation, Poe and Pepper (pictured above) were a wonderful source of amusement and affection for Zyra and I.

The Insecure Writer’s Support Group question for January 2023 is:

Do you have a word of the year? Is there one word that sums up what you need to work on or change in the coming year?

For this year, I think my word will be Attentiveness. That point where attention meets engagement. I had little enough of either over the past (checks notes) five years, since I went on hiatus from Caffeinated Press at the beginning of 2018. The last three years have been a fugue of reacting to or recovering from outside world events. Now that we are through the holidays and already the daylight hours are growing noticeably longer, I feel a renewed energy.

Attentiveness, to me, means not just noticing the parts of my life which need attention, but then doing something about it. Whether it be my relationship with my partner, my health, the martial arts class, my family, my writing, our house, or anything else in my life, I think I am ready to re-enter the world and take care of the things which need taking care of.

 

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NaNoWriMo 2022 Wrap-up

John Winkelman

Poe in Repose

Well, NaNoWriMo 2022 is over, and I can chalk up another win for myself. I hit 50,000 words in my WIP Cacophonous on November 23, and managed to get in a couple thousand more before the end of the month. I had hoped to hit 60k but family and holiday stuff, as well as a strong attack of burnout from the year, sapped all of my creative energy. But still – 50,000 words in a little over three weeks. I’ll accept that.

This year I employed the same strategy as last year – one document for every day of the month, word count in the title, and let the chapter breaks fall where they may. As with last year, this had two benefits. First, it removed the sense that the next chapter couldn’t start until the previous one was finished. I didn’t have to finish scene X by the end of the day. I could pick it up the next morning. This is really more of a psychological than a practical trick. but it does keep the focus where it should be for NaNoWriMo – productivity and word count. The editing happens later. This is Draft 0. After it is all cobbled together, it is draft 1. Then the editing can begin. And second, I could start each day fresh, unencumbered by what I had worked on in the previous sessions.

The big change this year, from the past three, was the community involvement. Of course 2020 and 2021 had no in-person events, and 2019 I think I skipped out on everything so I could be with my partner as she had recently moved in and things around the house were still a little chaotic.

I didn’t realize how much I had missed the community aspect of NaNoWriMo until I walked in the room for the kickoff party back at the end of October and saw all of those familiar faces, some of whom I had not seen in five years. Then there was a book launch party for the first publications by Lakeshore Literary, the new publishing endeavor which grew out of the ashes of Caffeinated Press. And then two weeks ago we had DoKN, or the Day of Knockout Noveling, where I wrote about 5,000 words in one afternoon, ate a lot of really good food, and encountered many more of the people who I had not seen in years.

So, like so much else in 2022, my sense is that the world is making up for the two years when we couldn’t do anything, by having everything happen in a very short amount of time.

As of this writing I am about 60% of the way through Cacophonous. More if I take the short story I wrote in October 2021 and turn it into the last couple of chapters. I will certainly use a lot of it, but the book is significantly different from the short story so I will only bring over the bones of the first work.

Will I participate in NaNoWriMo again? Absolutely! There are no bad sides to such an event.

Whole Lotta Writing Going On

John Winkelman

Pre-Thanksgiving snowstorm

Brief update this week, on account of I have a very full plate.

No new book arrived this week, so here is a photo of the bird feeder outside my dining room window, before half again that much snow was added to the pile. It’s been a wacky couple of days here, weather-wise.

In reading news, I just finished Jim C. Hines’ Terminal Peace, and it is really good! A fine conclusion to a fun trilogy.

In writing news, I am fast approaching 50,000 words in my NaNoWriMo 2022 story Cacophonous. I expect to “win” before Thanksgiving, and possibly finish the draft by the beginning of December. And writing at this pace is turning my brain to mush.

Post-Election Exhaustion

John Winkelman

New books for the week of November 6, 2022

With the midterm elections mostly in the rearview mirror, barring a couple of races which were so close that they are going into runoff, or are still being counted, the world is returning to whatever passes for a state of normalcy. Donald Trump, along with all of his supporters, was once again proven to be a pathetic loser, and most of the neo-Nazi bootlicks who rode, or attempted to ride, his coattails into political office were rightfully kicked to the curb. There were the usual tears and accusations of rigged elections from the emasculated wingnut manbabies of the GOP/QANON/OANN/KKK/Fox News bloc (which is many different names for the same undifferentiated mass of jackboot fetishists), and there will inevitably be a backlash of new bills introduced which will attempt to limit voting rights to only conservative white Christian men who own property. Such are the goals of conservative white Christians in America.

Anyway. Enough about politics.

Only one new book arrived this week – Death in the Mouth the most of the recent spate of Kickstarter rewards. Friends, this book is gorgeous!

In reading news, I finished K.S. Villoso’s The Wolf of Oren-Yaro. It was great! When I am ready to start buying books again, I will pick up the sequel which, based on the excerpt published at the end of Wolf, should be excellent.

I just started Terminal Peace, the final volume of Jim C. Hines’ Janitors of the Post-Apocalypse trilogy. So far, it is every bit as good as the previous books in the series.

And on a whim, during breakfast this morning, I cracked open Duncan Hannah’s 20th Century Boy, which I can already see I will need to put down until after November, else I will be so consumed reading it that I will not have any time to write.

In writing news, I am at something over 25,000 words in my NaNoWriMo story Cacophonous. Things are going very well so far and I expect to hit 50,000 well before the end of the month.

NaNoWriMo is Serious Business

John Winkelman

Praying Mantis at Blandford Nature Center, taken October 21, 2022

For the tenth year in a row, I am attempting NaNoWriMo. So far things are going very well, in that I am several thousand words ahead of schedule, and the story I am writing is still interesting to me, which is very important when writing. If my work is boring to me it will probably be boring to everyone else.

No new reading material arrived in the past week, which is fine, as I still have over half a thousand unread books and journals to work through, and that takes time. Lots and lots of time. Therefore, please enjoy this photo of a gravid female praying mantis which I discovered on a walk around Blandford Nature Center on the afternoon of Friday, October 21.

Currently I am reading The Wolf of Oren-Yaro by K.S. Villoso. It’s really good! I should be finished in a couple of days, and then maybe on through a few more issues of Lady Churchill’s Rosebud Wristlet, or something.

In writing news, it is all Nano, all day. Or at least those parts of the day when I am not working or sleeping or hanging with my honey, or teaching or eating or attending to the cats.

IWSG, October 2022: The Best Characteristics of a Genre

John Winkelman

Grand Rapids skyline from the 10th floor of the county court building

September 2022 was one of the busiest months I can remember of the past several years. Weddings, work, Zyra’s business, and late summer chores, errands and spontaneous events have left little time for writing. Fortunately, most of the business and busy-ness is behind me now, so I can get back to planning my November project.

It’s the first Wednesday of October, which means that it’s time for the new Insecure Writer’s Support Group post. This month’s IWSG question is:

What do you consider the best characteristics of your favorite genre?

This is an interesting question, as it forces me, for the sake of this article, to choose a favorite genre. And that is…complicated. Looking at my bookshelf, I have roughly equal numbers of fantasy, science fiction, poetry and literary fiction. In each category I have my favorite authors, and my favorite books, which were not necessarily written by my favorite authors.

The books I find most compelling are those which sit in between more established genres, which are sometimes labeled as “magic realism,” or “slipstream,” or “the New Weird.” If the sense is closer to science fiction these are sometimes labeled as “cyberpunk.”

So I guess my favorite genre is whatever you call it when everything seems like it should be the current world, but things are just a little…off. Or maybe a lot off, but the off-ness starts out small. “This, only more-so.” Reducto not quite all the way to absurdum. For instance, William Gibson‘s Pattern Recognition,  Michelle Tea‘s Black Wave, Rita Indiana‘s Tentacle, or The Milagro Beanfield War by John Nichols. A case could also be made for Neal Stephenson‘s Baroque Trilogy. My current favorite of these fictions is Kim Stanley Robinson‘s The Ministry for the Future, which at this point feels more like precognition than speculation.

What I like about this very loosely-defined genre is that it allows us to explore riffs on the real world without changing the fundamental nature of the world. It’s less “What if magic existed?” and more of “What if Aunt Maggie could do magic?” What if cryptocurrency was treated like a currency instead of like a commodity? What if laws were ACTUALLY enforced equally across all regions, races, classes and genders? What if California seceded? What if all of Christianity were reduced down to the Golden Rule? What if someone developed a gene therapy which reduced the amount of sleep necessary down to one hour in 24?

This approach to storytelling can also accommodate changes in scope or scale. For instance, what if the War of the Roses, instead of being transposed to Westeros, took place in an apartment building in Dayton, Ohio? Or what if a couple of spoiled, entitled toddlers were fighting over who got the best toys, except it was expanded to a global scope and titled “All conflicts in the world where monied interests profit off of the misery of the downtrodden?”

(See? The stories we tell about ourselves CAN influence the world around us!)

Stories which explore the ramifications and outcomes of these subtle tweaks to the existing reality can be important cultural touchstones, and useful for driving the collective imagination.

How about you-all? What are the best facets of your favorite genre?

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Hello October Again

John Winkelman

New reading material for the week of September 25, 2022

Well that September just flew by, didn’t it? It wasn’t a bad month, just busy and barely any time to sit and relax. All I can say is that it was a hell of a lot better than September 2021.

Three new books and journals have been added to the library in the past week.

First up is the October 2022 issue of Poetry, which arrived on Wednesday and I read on Thursday, because I had a chunk of quiet time.

Next is Cathy Park Hong‘s Minor Feelings, which I added to my list after coming across some of her poetry online. Upon returning home from Books and Mortar, we discovered that my partner Zyra had picked up a copy some months ago and it was sitting on a shelf in plain sight. At least now, as the joke goes, I can read it more than once.

On the right is The Search for the Genuine, the new collection of Jim Harrison‘s nonfiction writing. I doubt there is much in here that I have not already read at some point, but Harrison’s nonfiction is just a pleasurable a read as his fiction and poetry so this is a welcome addition to the collection.

In reading news, in addition to the above I am on the first issue of 2021 of The Paris Review, which means I have only half a dozen remaining in my stack. I might get one more issue. As stated before, I am going to focus on this journal until I am caught up to present, then move on to the next stack of back issues of something.

One of the consequences of reading so many short stories by such a wide variety of writers is that, inevitably, I discover people who have recently died. This happened back in July with Duncan Hannah, whose book Twentieth-Century Boy was excerpted in The Paris Review in 2017. Hannah died this past June, aged 69, which no longer seems very old to me.

This past Friday I cracked open issue #236 (Spring 2021) of The Paris Review. The first item therein is the brilliant short story “Maly, Maly, Maly” by Anthony Veasna So. So died in December 2020 at the age of 28, just before his first book Afterparties: Stories was released.

In writing news, I am planning out my NaNoWriMo project, so while I am taking a lot of notes, I am not writing anything at the moment with a coherent narrative. This will be the first time I have planned out a project in advance, beyond the most basic outline of the order of events. At the moment, I feel optimistic that I will actually finish the first draft before the end of the year.

IWSG, September 2022: The Worst Genre (for me to write in)

John Winkelman

So here we are at the end of the first week of September and my writing continues to be mostly journaling and the occasional edit of an old poem. Whereas in 2020 and 2021 I had time to write, but no energy, here in 2022 I have the energy, but no time. Al of the things we couldn’t do in the previous two years – all of the socializing, visiting, vacationing, partying, monstering, family events, etc., which were blocked by COVID restrictions and common sense, are no longer blocked by COVID restrictions. Every week there are more opportunities to meet with other human beings, face to face.

To sum up, this has been an exhausting summer.

On a lighter note, today is the first Wednesday of September, and that means it’s blog hop time! This month’s Insecure Writer’s Support Group question is:

What genre would be the worst one for you to tackle and why?

Short answer: Inspirational fiction.

Long answer:

Back in the 1990s I worked at a local independent bookstore. We had an excellent selection of books, though as with all brick-and-mortar stores, we had limited shelf space. Thus is was that philosophy, religious texts, and inspirational literature were all shelved in the same area of the store.

This being West Michigan, the inspirational literature, which was 100% Christian, took up more shelf space than religion and philosophy combined. And oh, the titles we carried. And oh, the customers who bought them.

What were the books like? Without going into too much egregious detail, Tim LaHaye’s Left Behind novels were among the best of them. While most weren’t as gleefully sadistic toward non-Christians as were LaHaye’s books, they were all tiresome, predictable, and not at all challenging to the reader. The very best of them (which, again, weren’t very good) invited the reader to a sort of self-reflection, as long as that self-reflection guided the reader to the Great Attractor of whichever sect of Christianity the author belonged. And invariably, more conservative, the better.

At the risk of looking like I am lumping every book in the genre of inspirational fiction into an undifferentiated mass, I agree that, for the purposes of this unapologetically subjective post, this is indeed the case. I allow that I am definitely not part of the target audience, so there may be nuances in the outer fringes of the genre which I have not encountered.

With that groundwork, what follows is the reason why I should not write in the Inspirational Literature genre.

I have had a running joke that for me, writing literary fiction is a doomed endeavor because at some point, despite my best efforts, Cthulhu shows up. When the Great Old Ones are concerned, the stories all end in madness, nihilism, and the inevitable destruction of the world and all the works of mankind. This opens the possibility that the books I might write would be mistaken for Christian-based inspirational literature, a la LaHaye. Just with, you know, the awakening of Cthulhu swapped in for the End Times/Second Coming. And at that point, really, what’s the difference?

However: Were I to write some inspirational fiction, and allowing for the inevitable drift in my writing into the cyclopean and squamous, I would keep the scope small and intimate, and focus specifically on people in the myriad out-groups who invariably bear the brunt of the decisions of those in the in-group. The world has never not been apocalyptic for one group or another, and the most inspirational stories are those which uplift the downtrodden without requiring them to either lick or don their oppressor’s boots.

(And yes, I know that not all inspirational literature involves the Apocalypse. Just the most popular works of the genre.)

(And lest ye comment that the Left Behind series is not “inspirational”, I invite you to take a good hard look at the messaging therein, and the target audience thereof.)

(Come to think of it, maybe LaHay’s books are more expirational than inspirational.)

Anyway, thanks for reading! This was a fun post.

 

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IWSG, August 2022: Originality or Not?

John Winkelman

I don’t know how it’s been for you-all, but this past month was CRAZY busy here at the Library of Winkelman Abbey. With most COVID restrictions lifted, the whole world is trying to make up for two years of lost time, and instead of having nothing to do on a given day it seems we have EVERYTHING to do. And, of course, not enough time in which to do it.

For me, this also this applied to my writing. All of my summer plans have fallen by the wayside, other than the ninety minutes, one Tuesday a month, where I attend an open mic night. And even that feels like something I have to squeeze in. And I am not always successful.

I thought I had mostly outgrown FOMO, but it seems to have metastasized in the zeitgeist.

The Insecure Writer’s Support Group question for August 2022 is: When you set out to write a story, do you try to be more original or do you try to give readers what they want?

This is an odd question to answer. Outside of this blog, I don’t have any readers to speak of. Therefore I don’t have anyone to whom to cater. And I don’t necessarily try to be original, though I don’t think I write quite like anyone I have read, so I suppose that is a form of originality, even if not entirely intentional. None of my manuscripts are similar to each other, either short or long form. Even the 2021 bio-punk sequel to my partially completed 2020 salvage-punk book is distinct enough that I now need to go back and re-write part 1.

So it goes.

 

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and supporting insecure writers
in all phases of their careers.