Tag: writing

It’s Warm, It’s Cold, It’s Warm, It’s Cold

John Winkelman

We are now well into April, and the normally turbulent weather of this time of year is being exacerbated by a healthy dose of global warming which makes the highs and lows more frequent and more extreme. At present we have no expectation that this trend will reverse itself in the lifetime of any human currently living. Come to that, we have no expectation for things to change in the lifetime of any animal at all currently living, with the possible exception of extremophile critters somewhere around a deep-sea thermal vent in the Pacific Ocean.

No new reading material arrived at the Library of Winkelman Abbey this week. I expect the rest of April will be slow for the acquisitions department.

In reading news, I just finished Ibram X. Kendi‘s How to Be an Antiracist, and it blew my mind open in ways I did not expect. It wasn’t the subject, which was was very much in line with The New Jim Crow, Caste and Carceral Capitalism. Rather, it was the way Kendi drew the distinction between “not-” and “anti-“. For me (straight, white, middle-aged dude), this made me extremely uncomfortable in a positive way, as it pointed out a large blind spot in my interactions with the world. It’s not enough to simply not contribute to the problem. One must actively work to fix the problem, or by virtue of the inertia of the zeitgeist of the world, the problem persists. Any way of living that is not explicitly anti- is implicitly pro-. In matters of oppression and equity, there is no middle ground.

As April is National Poetry Month, I have been working my way through my back issues of Poetry Magazine, instead of the (surprisingly small) number of my poetry books which I have not read. The variety of poetry in Poetry is keeping my mind in the writing space, and I have managed to write a poem a day so far for every day of the month. I won’t copy them out of my journal or type them up until May, most likely, and then we will see if I have managed to put any of the many words I know together in some kind of meaningful order.

Here in the third week of Spring the world is turning green and some of the nights are warm enough to keep the windows open. The fresh air and smell of earth and grass and rain, and the soft sounds of the city at night make for a more restful sleep than I have know in months, and though I am not getting any more sleep than at any point in the past year, it is of better quality and therefore when I wake up I don’t resent being out of bed.

IWSG, April 2021

John Winkelman

Welcome to the monthly Insecure Writer’s Support Group post. This month’s question is the following:

Are you a risk-taker when writing? Do you try something radically different in style/POV/etc. or add controversial topics to your work?

I don’t know if I am a risk taker, as such. I like to play around with forms and styles. I have written stories in first and third person, past and present tense. Some styles work for certain stories; others do not. In the past I have written fantasy, science fiction, horror, westerns, and literary fiction. Again, some worked better than others. In particular, I went through a phase of writing literary short stories where around 2,000 words in Cthulhu would show up, despite my best efforts to keep the story from heading in that direction.

For me, memoir involves more risk because in order to be effective it must dig into places which I am not always willing to uncover. For example, a few years ago, for NaNoWriMo I set out to write a series of short stories, and as a warm-up exercise I wrote a short piece about the toxic people in my life. That short piece turned into 18,000 words, all written on November 1. I was an angry, bitter emotional wreck for days after. On a positive note, I was far enough ahead in my word count that I could take a couple of days off of writing in order to recover from the experience.

I don’t touch much on controversial topics, other than possibly equity, empathy and compassion, which are controversial topics in a society where sadism seems to be the national pastime.

So I suppose the risk-taking lies in trying something new which may or may not work. Either way, I have broadened my horizons and (hopefully) improved my craft.

Thank you for reading this answer, and thank you (and hello!) to the members of the Insecure Writer’s Support Group who find their way to my humble blog.

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

IWSG, March 2021

John Winkelman

I have recently joined the Insecure Writer’s Support Group, which I discovered through the excellent blog of author Jean Davis.

And as a newly active member of the group, this is my first IWSG monthly first-Wednesday question:

Everyone has a favorite genre or genres to write. But what about your reading preferences? Do you read widely or only within the genre(s) you create stories for? What motivates your reading choice?

That is a very good question. Two things motivate my reading choices: a diversity of reading, and that one book I just gotta read right now. And there are secondary concerns, such as books which have been sitting around forever, and when my mind is in a particular space in which it will only be satisfied by e.g. poetry or Russian literature. Or Russian poetry.

I take as my guiding star Karen Lord‘s advice to “read well”. Find the books which are good examples of the kind of book I would like to write and, well, read them!

That doesn’t mean everything I read is practice for something I hope to write. I am motivated more than anything by curiosity. In my library I have scores of anthologies covering a great many subjects and styles of writing. My day job is mentally demanding and I am happy to indulge in purely escapist reading as time and opportunity allow. For example, last summer I did a deep dive into the Forgotten Realms novels and read the first twenty or so Drizzt Do’Urden novels by R.A. Salvatore.

Then again this past October I participated in the Sealey Challenge and read 31 books of poetry in 31 days. And a couple of weeks ago, after almost three decades of attempting it and failing, I finally read the entirety of The Brothers Karamazov.

So what motivates my reading? Ultimately I think I read whatever it feels important that I read next. And that could be anything.

And on a tangent, this wide and varied reading habit helps me through bouts of writing block and imposter syndrome. Usually if I am reading something which is too close to what I am writing I start to compare the one with the other, and therefore reading something outside of that channel is a good way to reset myself, mentally and emotionally, so I can get return to the writing practice with a clear mind.

What motivates your reading? Let me know in the comments!

 

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Not Quite Normal, But Close

John Winkelman

February was unexpectedly chaotic, though the ups and downs seem to be tending upward, in part due to a steadily increasing outdoor temperature and amount of sunlight. The lack of a card-carrying white supremacist in the white house also helps.

Three books arrived this past week. On the left is Neeli Cherkovski‘s biography of Lawrence Ferlinghetti, released in 1979, when Ferlinghetti was 60 (!). I picked this up from Third Mind Books in Ann Arbor, which is an excellent resource for anyone interested in the Beats, as well as the Modernist, New York School and Black Mountain poets.

Ferlinghetti died this past Monday, at the age of 101. When I get get my head sorted out about this I will post an article or two.

Next is Anders Dunkers’ Rediscovering Earth: Ten Dialogues on the Future of Nature, (OR Books) a collections of conversations with writers and thinkers discussing what may be and what will be the state of nature and our place in it, going forward from here.

On the right is Cuba in Splinters, a collection of short fiction in translation from Cuba. This was an impulse buy from OR Books, which I picked up when I ordered Rediscovering Earth. My attention was probably primed because I was in the middle of reading Super Extra Grande by Cuban science fiction writer Yoss.

I spent the last week reading books in translation, and completed three more of my backlog of such books – Permafrost by Eva Baltasar (And Other Stories), Super Extra Grande by Yoss (Restless Books), and A Greater Music by Bae Suah (Open Letter Books). Now for a change of pace I am reading Starship’s Mage by Glynn Stewart, which I picked up last year at ConFusion. I’m less than 100 pages in, and really liking it so far.

In writing news, I am working on edits to a short story I wrote for a call for submissions for the Grimm, Grit and Gasoline anthology published by World Weaver Press. The story was not accepted, obviously, but I think it has promise.

This past Friday I had the great good fortune to spend some time talking the story over with Jason Sizemore of Apex Book Company. The opportunity was made available to supporters of the Apex Patreon, which I am and have been for a couple of years now. I met Jason at ConFusion back in (I think) 2016, where we spent a few minutes discussing the ins and outs and ups and downs of the publishing business. Obviously Apex is doing much better than Caffeinated Press ever did, but there were many similarities in the experiences of running our respective independent publishers.

The increased reading and the access to a professional editor have me feeling reinvigorated, and warmth and sunlight are always energizing. It’s time to get writing.

A Break in the Flow

John Winkelman

This past week was one of those rare stretches of time where no new reading material arrived at the Library of Winkelman Abbey. That’s fine. I have more than enough unread books and magazines laying around to last me a decade.

Now that I have finally made it to the end of Dostoevsky’s The Brothers Karamazov and Giorno’s Great Demon Kings, I have turned my attention to shorter books, which is easy, because I can count on my fingers the books I own which are longer than The Brothers Karamazov.

For the past five years or more I have had subscriptions to the catalogs of various publishers of books in translation, which means for the past five years or more I have accumulated these books much faster than I have read them, and at this point I have well over a hundred works from Open Letter Books, Deep Vellum, Restless Books, And Other Stories, Two Lines Press, and Ugly Duckling Presse awaiting my attention.

In the past couple of years, as my lifestyle and available spending money have fluctuated, I have allowed my subscriptions to all but And Other Stories and Two Lines Press (and possibly Restless Books – it’s difficult to tell sometimes here in the Covid Years) to lapse. So now I have these shelves full of books sitting around unread as I slowly accumulate books from other places, and now I find that I need to archive some of the books on the shelves. As I only archive books I have completed, now is a good time to work through the backlog of these translated books.

In the past week I have finished three books – The Imagined Land by Eduardo Berti (Deep Vellum), Party Headquarters by Georgi Tenev (Open Letter Books), and Lion Cross Point by Masatsugu Ono (Two Lines Press). I am currently reading Permafrost by Eva Baltasar (And Other Stories), and hope to get in one more book before the end of the month. This is easy when the books are only 100 to 130 pages long, and at most 50,000 words, making most of them novellas or very short novels. For contrast, The Brothers Karamazov is approximately 364,000 words.

In writing news, I haven’t written anything new in the past week beyond some journaling, but I am beginning a round of edits for a couple of short stories which I hope to have in shape for submission by the beginning of May.

On the whole, the world is not necessarily a better place than it was a month ago, but some of the worst parts of it are gone, and sometimes a lack of bad things can be as energizing as the presence of good things. Selah.

Publication Announcement – Coffin Bell #4.1

John Winkelman

Today is a grand day! My short story “Occupied Space” was just published in issue 4.1 of Coffin Bell, a “journal of dark literature”. This my first unsolicited prose piece which has been published since, well, ever. I have had a few things published here and there over the years, but they were always requested in advance. So this is kind of a big deal for me.

“Occupied Space” started during NaNoWriMo 2018 as “Crossing Zones”, one of a dozen or so short stories I wrote in lieu of 50,000 words of a novel.

I submitted the story to several venues before and after sending it to Coffin Bell back in late January of 2020. Not expecting it to get picked up, I submitted my story at the $10.00 tier in order to receive editorial feedback. 2020 became kind of chaotic after January, and I lost track of my submissions until September, when I realized I still had one outstanding. I sent a note requesting a status update, and in early November I received notice that “Occupied Space” had been accepted.

The editors also sent their notes, which amounted to a couple of pages of bullet points which were immensely helpful even after the fact, because how we write one thing is generally, in a technical sense, how we write everything. The feedback helped me solidify some ideas I had been mulling, and now I think “Occupied Space”, rather than being a one-off story, will become part of a larger series or collection, or perhaps even the seed of a novel.

According to my trackers at Duotrope and The Submission Grinder, this submission had a response time of something over 250 days, but again, in 2020 I give everyone a free pass on everything. I’m just happy that Coffin Bell managed to stay open and in business during the Plague Times.

Reading through the Coffin Bell blog, I felt a strong sense of deja vu, particularly in this post about litmag financial transparency. Point by point I saw every problem, complication and decision we had made at The 3288 Review duplicated in another publication. I am sure if I searched the sites of a hundred other small magazines I would find 99 other posts or stories which echo this one. It isn’t easy to run a literary journal. It has to be a labor of love, or nobody would ever do it.

So please: read my story, and also read the rest of the stories and poetry in this and all the other issues. The work is beautiful and the pieces well-chosen. I will probably submit work to this venue again, after a cooldown period of a year or so.

November, Come and Gone

John Winkelman

With the election finally over and the orange idiot on his way out, November subjective time has smoothed out and though the first week seemed to last a month, the remainder of the month seemed to last little more than a week. In three days December will begin and we will be in the last month of the strangest year of my life so far.

A small stack of reading material arrived this week, in keeping with my overall reduction in purchases this year.

On the left is Dominion: An Anthology of Speculative Fiction From Africa and the African Diaspora. This one arrived from a Kickstarter campaign I backed in February of this year. The collection is gorgeous and it was absolutely worth the wait.

In the middle is Aetherchrist by Kirk Jones, the latest shipment from my subscription (via Patreon) to the Apex Publications catalog.

On the right is the December 2020 issue of Poetry, which arrives not a moment too soon as I am in dire need of poetry to sooth my soul here in the waning light of 2020.

In reading news, I finished Chuck Wendig’s Damn Fine Story which recharged my writing energies, though not in time to allow me to win NaNoWriMo this year. I also completed The Kragen, a novella by Jack Vance, published by Subterranean Press as a beautiful little hardcover. I haven’t read any Vance in years, and so this felt like a rediscovery of his remarkable prose.

In writing news I spent a few hours this past week pruning my list of themed publication deadlines. I removed all those whose deadlines had passed since I last looked at the list, and added a couple dozen from various calls for submissions in various social media groups and also the deadline calendar at Duotrope, which always has at a minimum 200 upcoming deadlines, stretching from tomorrow (always tomorrow, no matter when you look at the list) to well into 2022. One of the anthology publishers has half a dozen calls for submission on various themes, but on looking them up on Absolute Write it looks like the publisher is one terribly overworked person and the anthologies are often riddled with editorial errors. So I may have to remove half a dozen opportunities from the list.

I have notes prepared for three short stories, one of which I hope to complete two drafts, have beta-read, and finally whipped into shape by the submission deadline of December 31. The other two have deadlines several months away so I doubt I will have trouble completing the stories in time. Assuming, of course I start them in the first place.

And the starting is usually the biggest hurdle.

Writing or Not

John Winkelman

Thing in my life are back to normal in the sense that I am now working long hours and weekends, thanks to a series of miscommunications at work. Each time it happens I say “never again!”, yet when circumstances conspire to require me to work until 20:00 on a Tuesday or something I do it, grumbling the whole time, and invent self-justifications to keep from feeling too resentful about the loss of another chunk of my extremely limited free time. Rinse, repeat.

Another small stack for the library this week – the new issue of Jacobin, and Damn Fine Story, Chuck Wendig‘s guide to writing, which I ordered during the run-up to NaNoWriMo, only to receive it in the middle of the month when I have given up on NaNoWriMo anyway. 2020 is just not my year.

In reading news, I am working my way through Apocalyptic, an anthology of short stories about (you guessed it!) the apocalypse, which I received as part of a Kickstarter campaign held by Zombies Need Brains. These stories are just what I need right now, and they distract me from the feelings engendered by reading Matthew Desmond’s Evicted, which infuriates me enough that I can only read a few pages at a time before I want to go out an cause an apocalypse or two of my own.

As mentioned above, NaNoWriMo for this year is pretty much a bust, unless I miraculously come up with significantly reduced stress along with vast chunks of free time over the next two week. But I am trying to keep my head in that space. I created a list of twenty (so far) possible topics for short stories, most based on past calls for themed anthologies to which I never actually submitted stories. Though this year has been incredibly stressful, I am still feeling energized by the recent acceptance of one of my short stories. Now I want to do nothing but write, but of course not one writer in a hundred thousand makes enough at their craft to support any kind of stable life. So I write code for money, and stories for pleasure.

If only it were the other way around.

Re-centering Poetry

John Winkelman

One of the advantages, if you can call it that, of working at home in the Days of COVID is that I can see the day-to-day progression of the diminishing daylight as we move from the autumnal equinox to the winter solstice. When I close down my laptop at the end of my shift the sun is just a little closer to the horizon, the light a little more golden – or red, depending on the drift of smoke from the west coast. And each day it is just a little more difficult to pull myself from bed early enough in the morning to complete my morning routine.

Two things are helping keep me on my game as winter approaches: Poe, who still insists on being fed at 5:00 every morning, and a large stack of poetry books and chapbooks to read through as part of the Sealey Challenge. I am managing to stay on schedule, mostly thanks to a large pile of unread chapbooks which have arrived over the past four years as part of my subscriptions to Horse Less Press (currently on indefinite hiatus) and Ugly Duckling Presse, which is still going strong though I had to let my subscription lapse for financial reasons. I note that traditionally the Sealey Challenge has run during the month of August, so next year I will align myself with the rest of the poetry universe and complete the challenge in the appropriate month.

An excellent pile of books arrived this week at the Library of Winkelman Abbey. On the top left is a new one from Subterranean Press – Edited By, a collection of stories which have been edited by Ellen Datlow. The collection itself is, well, edited by Ellen Datlow. So there’s a lot of meta going on with this one.

In the top middle is Francesco Verso‘s Nexhuman, the latest delivery from Apex Book Company, to which I have a subscription through Patreon. Editor Jason Sizemore was kind enough to reach out to me when the original print run for this shipment ran a few short and he allowed me to pick any title from the Apex catalog. This was my first choice, and it was fortunate they had copies in stock, as I am slowly picking up every book Apex has published, thanks to Patreon, Kickstarter, and purchases at various ConFusions over the past several years.

On the top right is Road to Heaven, Bill Porter‘s beautiful travelogue/story of wandering the mountains of China looking for the Buddhist and Taoist hermits who maintain a tradition once much revered in Chinese culture.

Bottom left is The Collected Ghazals by the late, great Jim Harrison. Copper Canyon Press recently released this collection, as well as the book in the bottom center, Letters to Yesenin. I have been a fan of Jim Harrison since a college professor turned me on to him back in 1993, when he picked up a copy of Wolf. Since then I have read almost everything Harrison wrote, and have bookshelf dedicated to his poetry and prose.

On the bottom right is the new collection from Garrett Stack, Yeoman’s Work. I first heard of Stack when we published a few of his poems in an issue of The 3288 Review. This is an excellent collection, and well worth seeking out.

In reading news, I have so far read 18 poetry books and chapbooks, and am keeping a running tally of the list up on Instagram and Twitter. I haven’t taken a deep dive into poetry like this since the late 1990s, unless you count the thousands a year I read as editor of The 3288 Review, which is not really the same thing. The Sealey Challenge has been a wonderful experience and with 13 more books to read my mind will be in a wonderful place when NaNoWriMo starts on November 1.

I just finished reading For Exposure, Jason Sizemore’s brilliant history of Apex Publications, with contributions by half a dozen or so of the editors and other contributors, employees and supporters of his wonderful company. I picked up For Exposure at ConFusion back in, I think, 2015, when I managed to spend a few minutes talking to Sizemore about the trials and tribulations of running a small independent publishing company. He is a Righteous Dude, as the kids say these days, and I offer all the kudoes to him and his team for the work they do in the literary world.

Writing hasn’t been going as well as reading, though I managed to put down a couple hundred more words in the book as I try to work through this one lynchpin chapter and scene, from which the rest of the book will flow, which tells me I may need to just mash my fact against the keyboard until something clicks and I can move ahead. The goal is still to complete a first draft this year, and with luck even complete the draft during NaNoWriMo, though I am having more and more concrete thoughts about a series of short stories which might eventually become chapters in a new book. All I know is that I will spend a lot of time writing in November 2020, assuming the slings and arrows of the mundane world allow me the mental space and emotional clarity to do so.

The Warm Days of October

John Winkelman

We are in the middle of a gorgeous mid-October heat wave, with temperatures in the upper 70s during the day, and abundant sunshine and a light breeze which makes the autumn trees shimmer like kaleidoscopes seen through a good dose of psilocybin.

Only one book arrived at the house this week – Recognize Fascism, an anthology of resistance-themed short pieces edited by Crystal M. Huff and published by the always-excellent World Weaver Press, from a recently-completed Kickstarter campaign. This is a follow-up to the 2018 anthology Resist Fascism, also edited by Huff. If you think you have noticed a theme in the books which I have collected over the past couple of years, well, you are not mistaken.

In reading news I have managed to keep up the book-a-day pace for the Sealey Challenge, and having this volume and density of poetry in my life is doing wonderful things for my state of mind.

In writing news, I have done almost none over the past week though I think I have figured a way through the snarl which kept me from completing the current scene in the book. I will hit it Monday morning and see if my idea will play out on paper.

In other exciting news, I was just notified that a short story I had submitted back in January of this year has just been accepted for publication! The issue in question will go live on January 1, 2021, and at that point I will announce the venue and post the link and all other sorts of fanfare and information.

In all the chaos, misery and uncertainty abundant in the world right now, this was a very welcome piece of news.