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Tag: Apex Book Company

Happy New Year, etc.

2023-01-012023-01-01 John Winkelman

New arrivals in the week of December 25, 2022

Welcome to 2023! 2022 was overall a good year, but also exhausting, and so I am kind of happy to see it in the rearview mirror.

Two book arrived here at the house in the last week of the year. On the left is the January 2023 issue of Poetry, which  came as something of a surprise, as I thought my subscription ended with the previous issue. I guess I was mistaken.

On the right is Apex Magazine 2021, the printed collection of the stories which appeared in the electronic editions of Apex Magazine, from their successful Kickstarter. This book has the honor of being the last book to enter the Library at Winkelman Abbey in 2022, in that it arrived in the afternoon of December 31. Excellent timing!

In reading news, I made some progress through the first issue of the new incarnation of Dreamforge, but my brain is so fried from *gestures at everything* that I couldn’t motivate myself to do much more than watch The Blacklist and The Unbreakable Kimmy Schmidt, and play Stardew Valley.

In writing news, there is no writing news.

Starting in the new year, I will combine the “books I acquired” weekly posts with the “stuff I read” monthly posts, so now everything will be monthly. I plan to still do weekly (-ish) posts, but they will be both general and topical, and no longer exclusively about book stuff.

Happy New Year, everyone!

Posted in Literary MattersTagged Apex Book Company, Apex Magazine, poetry comment on Happy New Year, etc.

September 2022 Reading List

2022-10-012022-10-03 John Winkelman

What I read in September 2022

Despite the craziness of my schedule, this was a pretty good month for reading. I passed 100 volumes read for the year, and 150 pieces of short prose. I have even managed to retain most of what I have read, which is a bonus.

Books and Journals

  1. Mario Levrero, Empty Words [2022.09.04]
  2. The Paris Review #230 [2022.09.06]
  3. The Paris Review #231 [2022.09.11]
  4. T L Greylock and Bryce O’Connor, Shadows of Ivory [2022.09.13]
  5. Sara M. Harvey, The Convent of the Pure [2022.09.16]
  6. The Paris Review #232 [2022.09.16]
  7. Sara M. Harvey, Labyrinth of the Dead [2022.09.16]
  8. Marguerite Duras (Kazim Ali, translator), Abahn Sabana David [2022.09.18]
  9. The Paris Review #233 [2022.09.21]
  10. The Paris Review #234 [2022.09.25]
  11. The Paris Review #235 [2022.09.29]
  12. Poetry #221.1, October 2022 [2022.09.29]

Short Prose

  1. Anuk Arudpragasam, “Last Rites”, The Paris Review #230 [2022.09.01]
  2. Diane Williams, “Garden Magic”, The Paris Review #230 [2022.09.02]
  3. Leigh Newman, “Howl Palace”, The Paris Review #230 [2022.09.02]
  4. William Styron, “From an Unfinished Novel”, The Paris Review #230 [2022.09.03]
  5. Olivia Clare, “Women and Men Made of Them”, The Paris Review #230 [2022.09.05]
  6. Matthew Baker, “Why Visit America”, The Paris Review #230 [2022.09.06]
  7. Emma Cline, “The Nanny”, The Paris Review #231 [2022.09.06]
  8. Willa C. Richards, “Failure to Thrive”, The Paris Review #231 [2022.09.07]
  9. Fernanda Melchor (Sophie Hughes, translator), “They Called Her the Witch”, The Paris Review #231 [2022.09.09]
  10. Kathryn Scanlan, “Yet You Turn to the Man”, The Paris Review #231 [2022.09.11]
  11. Taylor Koekkoek, “Dirtnap”, The Paris Review #231 [2022.09.11]
  12. Molly McCully Brown, “If You Are Permanently Lost”, The Paris Review #231 [2022.09.11]
  13. Clare Sestanovich, “By Design”, The Paris Review #232 [2022.09.12]
  14. Beth Nguyen, “Apparent”, The Paris Review #232 [2022.09.13]
  15. Jesse Ball, “Diary of a Country Mouse”, The Paris Review #232 [2022.09.13]
  16. Senaa Ahmad, “Let’s Play Dead”, The Paris Review #232 [2022.09.14]
  17. Rebecca Makkai, “A Story for Your Daughters, a Story for Your Sons”, The Paris Review #232 [2022.09.15]
  18. Ashleigh Bryant Phillips, “An Unspoken”, The Paris Review #232 [2022.09.15]
  19. Andrew Martin, “Childhood, Boyhood, Youth”, The Paris Review #232 [2022.09.16]
  20. Sarah Manguso, “Perfection”, The Paris Review #233 [2022.09.16]
  21. Emily Hunt Kivel, “The Juggler’s Wife”, The Paris Review #233 [2022.09.19]
  22. Ottessa Moshfegh, “I Was A Public Schooler”, The Paris Review #233 [2022.09.21]
  23. Jamel Brinkley, “Witness”, The Paris Review #233 [2022.09.21]
  24. Amy Silverberg, “The Duplex”, The Paris Review #233 [2022.09.21]
  25. Rabih Alameddine, “The July War”, The Paris Review #234 [2022.09.21]
  26. Shirley Hazzard, “An Unpublished Story”, The Paris Review #234 [2022.09.22]
  27. Shanteka Sigers, “A Way with Bea”, The Paris Review #234 [2022.09.22]
  28. Eloghosa Osunde, “Good Boy”, The Paris Review #234 [2022.09.24]
  29. Thomas McGuane, “Slant Six”, The Paris Review #234 [2022.09.25]
  30. Ayşegül Savaş, “Layover”, The Paris Review #234 [2022.09.25]
  31. Lydia Davis, “Six Stories”, The Paris Review #234 [2022.09.25]
  32. Patrick Barrett, “Saint Cuthbert’s Incorruptible Body”, The Paris Review #234 [2022.09.25]
  33. György Dragomán (Ottilie Mulzet, translator), “The Puppet Theater”, The Paris Review #235 [2022.09.26]
  34. Dantiel W. Moniz, “The Loss of Heaven”, The Paris Review #235 [2022.09.26]
  35. Melissa Febos, “The Mirror Test”, The Paris Review #235 [2022.09.26]
  36. Jack Livings, “River Crossing”, The Paris Review #235 [2022.09.29]
  37. Anthony Veasna So, “Maly, Maly, Maly”, The Paris Review #236 [2022.09.30]
  38. Mary Kuryla, “Hive”, The Paris Review #236 [2022.09.30]
  39. John Jeremiah Sullivan, “Uhtceare”, The Paris Revew #236 [2022.09.30]
Posted in Book ListTagged And Other Stories, Apex Book Company, Open Letter Books, Paris Review, poetry, reading, self-publishing comment on September 2022 Reading List

Things Feel Back To Normal, But Are They?

2022-09-182022-09-18 John Winkelman

Newly arrived reading material for the week of September 11, 2022

I don’t know if it is because of collective delusion, or that schools are back in session, or that the zeitgeist is one of collective acceptance/resignation, or simply that I have had a few good nights of sleep this month, but the overall vibe in my life is that things seem to be returning to normal, or at least normalizing around whatever *gestures around at everything* is. Which is to say, at least temporarily, I seem to have found my groove.

Three new books and book-ish things arrived at the house over the past week.

First up is the new issue of The Paris Review, which is likely the last issue I will receive as I continue to let all of my current subscriptions lapse.

Next up are two books from Two Lines Press. The first is Visible, an anthology of poetry and prose in translation, accompanied by some beautiful photographs and artwork. The second is Days Come and Go, written by Cameroon author Hemley Boum and translated from the French by Nchanji Njamnsi.

In reading news, I finished Shadows of Ivory by T L Greylook and Bryce O’Connor. It was good! I gave it 4 stars on the usual sites, though I though it more worthy of 3.5 stars, but when in the middle, always round up. Now I can hold my head up when next I encounter one of the authors and request a signature.

Following up that 400+ page doorstopper of a book, I started and finished the 130-page-long The Convent of the Pure by Sara M. Harvey. I received this a while back as part of my subscription to the catalog of Apex Book Company. It was a light but fun fantasy read. In fact, I finished it in a little over a day of reading, and then read the entirety of its sequel The Labyrinth of the Dead in a single day.

Now I am reading Abahn Sabana David, written by Marguerite Duras, and translated from the French by Kazim Ali. I received this book several years ago as part of my since-lapsed subscription to Open Letter Books. Though only a few pages in already it reminds me of Waiting for Godot, which makes sense as the cover blurb specifically calls out Samuel Beckett.

And my pile of unread issues of The Paris Review is down to the single digits, which means, unless things go sideways over the next two months, I will definitely finish the stack before the end of the year.

In writing news, I have started worldbuilding for two stories I wrote a while back, each of which will work better as full-length books. Each is in its own world and therefore I have two folders created and two sets of characters, histories, maps, names, descriptions, etc.

Posted in Literary MattersTagged Apex Book Company, Open Letter Books, self-publishing, Two Lines Press comment on Things Feel Back To Normal, But Are They?

August 2022 Reading List

2022-09-012022-09-01 John Winkelman

What I read in August 2022

Things were kind of slow in August, reading-wise, due to a surge in burnout at the beginning of the month, and other assorted drains on my energy and attention span. I did make it through a few more issues of The Paris Review, and some interesting genre fiction as well.

Book and Journals

  1. Jennifer Pelland, Unwelcome Bodies [2022.08.02]
  2. The Paris Review #225 [2022.08.10]
  3. J.M. McDermott, Maze [2022.08.12]
  4. The Paris Review #226 [2022.08.18]
  5. The Paris Review #227 [2022.08.23]
  6. The Paris Review #228 [2022.08.28]
  7. Poetry Magazine #220.5 [2022.08.29]
  8. The Paris Review #229 [2022.08.31]

Short Prose

  1. Jennifer Pelland, “For the Plague Thereof Was Exceedingly Great”, Unwelcome Bodies [2022.08.01]
  2. Jennifer Pelland, “Big Sister/Little Sister”, Unwelcome Bodies [2022.08.01]
  3. Jennifer Pelland, “Immortal Sin”, Unwelcome Bodies [2022.08.01]
  4. Jennifer Pelland, “Flood”, Unwelcome Bodies [2022.08.01]
  5. Jennifer Pelland, “The Call”, Unwelcome Bodies [2022.08.01]
  6. Jennifer Pelland, “Captive Girl”, Unwelcome Bodies [2022.08.01]
  7. Jennifer Pelland, “Last Bus”, Unwelcome Bodies [2022.08.01]
  8. Jennifer Pelland, “The Last Stand of the Elephant Man”, Unwelcome Bodies [2022.08.01]
  9. Jennifer Pelland, “Songs of Lament”, Unwelcome Bodies [2022.08.02]
  10. Jennifer Pelland, “Firebird”, Unwelcome Bodies [2022.08.02]
  11. Jennifer Pelland, “Brushstrokes”, Unwelcome Bodies [2022.08.02]
  12. Wayétu Moore, “Gbessa”, The Paris Review #225 [2022.08.02]
  13. Ben Marcus, “Notes from the Fog”, The Paris Review #225 [2022.08.02]
  14. Katharine Kilalea, “OK, Mr. Field Part 3 (Winter)”, The Paris Review #225 [2022.08.08]
  15. Shruti Swamy, “A House Is a Body”, The Paris Review #225 [2022.08.09]
  16. Benjamin Nugent, “Safe Spaces”, The Paris Review #225 [2022.08.09]
  17. Ursula K. Le Guin, “Firelight”, The Paris Review #225 [2022.08.10]
  18. Rachel Khong, “The Freshening”, The Paris Review #226 [2022.08.11]
  19. Mitchell S. Jackson, “Exodus”, The Paris Review #226 [2022.08.13]
  20. Nell Freudenberger, “Rabbits”, The Paris Review #226 [2022.08.15]
  21. Diane Williams, “O Fortuna, Velut Luna”, The Paris Review #226 [2022.08.17]
  22. Venita Blackburn, “Fam”, The Paris Review #226 [2022.08.18]
  23. Pilar Fraile Amador (Heather D. Davis, translator), “Partners”, The Paris Review #226 [2022.08.18]
  24. Mary Miller, “Festival”, The Paris Review #226 [2022.08.18]
  25. Lincoln Michel, “A Feeling Artist”, The Paris Review #227 [2022.08.19]
  26. Leslie Jamison, “I Met Fear on the Hill”, The Paris Review #227 [2022.08.19]
  27. Ludmilla Petrushevskaya (Anna Friedrich, translator), “Two Sisters”, The Paris Review #227 [2022.08.22]
  28. Hernan Diaz, “The Stay”, The Paris Review #227 [2022.08.22]
  29. Kelli Jo Ford, “Hybrid Vigor”, The Paris Review #227 [2022.08.23]
  30. Peter Orner, “Ineffectual Tribute to Len”, The Paris Review #228 [2022.08.24]
  31. Isaac Bashevis Singer, “The Murderer”, The Paris Review #228 [2022.08.24]
  32. Kate Zambreno, “Four Stories”, The Paris Review #228 [2022.08.27]
  33. J. Jezewska Stevens, “Honeymoon”, The Paris Review #228 [2022.08.27]
  34. Hebe Uhart, “Coordination”, The Paris Review #228 [2022.08.27]
  35. Souvankham Thammavongsa, “The Gas Station”, The Paris Review #228 [2022.08.28]
  36. Nick Fuller Googins, “The Doors”, The Paris Review #228 [2022.08.28]
  37. Jonathan Escoffery, “Under the Ackee Tree”, The Paris Review #229 [2022.08.30]
  38. Kimberly King Parsons, “Foxes”, The Paris Review #229 [2022.08.30]
  39. Laura van den Berg, “Karolina”, The Paris Review #229 [2022.08.30]
  40. Lydia Davis, “Revising One Sentence”, The Paris Review #229 [2022.08.30]
Posted in Book ListTagged Apex Book Company, Paris Review, poetry comment on August 2022 Reading List

A Long-ish Weekend

2022-05-292022-05-28 John Winkelman

New books for the week of May 22, 2022

Oh, what a month it has been. The days are longer, the weather is warmer, and we are not far from the halfway point of 2022. Suddenly this long year has become surprisingly short.

Three new books arrived in the past week.

First up is Kameron Hurley‘s new collection of short stories Future Artifacts, recently published by Apex Book Company. I met Kameron at the ConFusion science fiction convention some years ago, and she has graciously signed several of her books. I haven’t read any of her work in a couple of years, so I started reading it on Saturday.

Next on the stack is Issue 22 of the Boston Review Forum, titled Rethinking Law. I had let my membership to the Boston Review lapse, but they had a re-up offer which was too good to pass up. And since it’s only three issues a year, the additional weight in my house should be manageable.

And on the right is Bad Eminence by James Greer, delivered Saturday afternoon from And Other Stories.

In reading news, I am caught up to autumn of 2021 in my read-through of the pile of unread back issues of Poetry. Time and energy permitting, I may catch up to present sometime in June.

I finished Stephen Duncombe‘s Dream or Nightmare. Though unintended, it was the perfect follow-up to Benedict Anderson‘s Imagined Communities, as though the Anderson is about nationalism and the Duncombe about progressive political strategies, they both make the point that, when it comes to politics (which is to say, practically everything about society), people qua people don’t really notice or care about the minutiae of daily life outside of their immediate reach. What they notice are the stories, the narratives in which connect the individual to the people, places, ideas, and events outside of their immediate purview. This is how conservatives are able to convince their followers that fascism and freedom are synonymous, as long as the Right People are in the in-group. This is also why progressives and lefties are so much less successful at spinning inclusive narratives, as (a) progressives are much more grounded in facts and the real world than are conservatives, and (b) the 15% or so of the USA who are actually left-of-center tend to fail each others’ purity tests when it comes to the work of gathering a community.

To clear my head of modern stresses, I picked up Between Clay and Dust, a novel by Pakistani author Musharraf Ali Farooqi, which arrived at the house back in February of 2016 as part of my (now lapsed) subscription to Restless Books. I finished the book in three days, and it was beautiful. I rated it five stars, and recommend it unreservedly.

As stated above, I am now reading Kameron Hurley’s Future Artifacts.

In writing news, I haven’t done much lately. Too many other things taking up space in my head. I do plan to finish transcribing my National Poetry Month poems over the next couple of weeks.

Posted in Literary MattersTagged And Other Stories, Apex Book Company, ConFusion, Kameron Hurley, politics, reading comment on A Long-ish Weekend

The Last of Spring

2021-06-202021-06-19 John Winkelman

Book acquisitions in the week of June 13, 2021

The year is flying away, now that the days are long and the COVID vaccine behind me. I am slowly (sooo slowly) pulling myself out of my no-writing funk. Much to my surprise, increased human contact seems to be helping. I spent much of this past week out in the world, catching up with people I have not seen in a very long time. It was a wonderful experience, and the post-peopling hangover today reminds me why I don’t go out and socialize very often any more.

A small stack of reading material arrived at the Library of Winkelman Abbey over the course of the past week.

First up is the new issue of Granta, which includes a large collection of writing from young Spanish novelists. I have got into the habit of tossing new lit journals on the shelf as soon as they arrive at my house, but this one, I think, bears immediate reading.

Next up is a beautiful new novella from Silvia Moreno-Garcia, The Return of the Sorceress, published by Subterranean Press.

On the right is the latest arrival from my subscription to Apex Book Company, Desper Hollow by Elizabeth Massie.

I’m about 100 pages into The Cybernetic Hypothesis, and it seems to be losing its focus somewhat. Still quite informative and disturbing, but the ideas don’t seem to be as clearly defined as they were earlier in the text. I will still read to the end. Perhaps this is merely groundwork for the final parts of the books.

I am closing in on halfway through Son of a Liche by J. Zachary Pike. I really like this books! The writing isn’t quite as tight as the previous volume in the Dark Profit series, Orconomics, but as this book is twice as long as its predecessor, I can overlook the slower pace. It’s loads of fun!

In writing news, still nothing to report. I have a list of anthologies seeking themed submissions, and review it daily hoping for inspiration to strike, but when I have time free, instead of writing, I tend to take naps. I think my body is trying to tell me something.

Posted in Literary MattersTagged Apex Book Company, reading, Subterranean Press comment on The Last of Spring

A Week Off

2021-05-302021-05-29 John Winkelman

Books acquired in the week of May 23, 2021

I was on vacation for the past week which, thanks to COVID, meant I did largely what I do while working, except without the working part. I did take a good long walk on Monday, from my house near downtown Grand Rapids, all the way around Reed’s Lake and back home, with stops at Argos Book Shop and Common Ground Coffee House.

It was a good week for reading material here at the Library of Winkelman Abbey.

First on the list is the latest issue of Poetry Magazine, which is soothing balm on the brain after a hard day of writing code.

Next is Robert Kelly’s A Strange Market, published by Black Sparrow Press, which I picked up at Argos at the end of my long walk. I love the old Black Sparrow books, back when they were an independent publisher rather than an imprint. The rough covers are part of the appeal and the aesthetic.

Next is Obits. by Tess Liem, which I also picked up at Argos. I had never heard of Liem, but a quick and random read of a couple of the poems herein convinced me that this would be a good impulse purchase.

Next is Maze by J.M. McDermott, from my subscription to the catalog of Apex Book Company.

Next is Mohamed Kheir’s Slipping, translated by Robin Moger, from my subscription to Two Lines Press.

And finally volumes 1 and 2 of The Psychopathologies of Cognitive Capitalism. I picked up volume 3 when Zyra and I visited City Lights Books back in summer 2018 and, since I can’t abide incomplete sets, completing the collection seemed like a good birthday present for myself.

In reading news, I finished Arkady Martines’s A Memory Called Empire and it was wonderful! I don’t remember the last book I read which had such deep and subtle political intrigue. I appreciated Martine’s use of the narrow lens of the single viewpoint character (albeit with some branches due to a very specific technology central to the plot). This kept the sense that the machinations and machinery of empire are vast and a single person can only see a small fraction or a single facet of the whole. I will need to reconsider some of my own writing in light of the experience I gained in reading this books.

I also finished Darran Anderson’s absolutely magnificent creative nonfiction book Imaginary Cities. Anderson explores ideas and the mythology of cities, and how they live in our stories, dreams and imagination, rather than the hard numeric facts. This means that Neil Gaiman will be cited next to Le Corbusier, and the stories related by Marco Polo and Samuel Taylor Coleridge will be given equal weight to the news feeds of current and historical events. Every page of this book contains passages good for multiple writing prompts, and as with Martine’s book above, but for quite different reasons, I feel I need to revisit some of my own writing based on the influences herein.

With those two books complete, I am now reading The Cybernetic Hypothesis, written by the collective Tiqqun and published by Semiotext(e). And for fiction I just started The Ten Thousand Doors of January by Alix E. Harrow. I am not far enough into either to form an opinion, but I have read enough to be intrigued and to keep going.

In writing news, not much is happening. I am slowly transcribing the thirty poems I wrote in April, and much to my surprise some of them have promise. I will probably be working on this task for the next few week as I return to work and summer distracts me with the option of being outside and away from a computer. I also started editing a literary fiction short story I wrote a couple of years ago, as part of NaNoWriMo. I think I will have it in shape to send out before the end of summer, assuming my energy level and attention span return to what they were before I received my COVID vaccinations.

One day, having the time and mental capacity to write regularly will be such a regular part of my life that it will not be worth mentioning. But today is not that day.

Posted in Literary MattersTagged Apex Book Company, capitalism, creative nonfiction, critical theory, reading, subscriptions, writing comment on A Week Off

Tech Upgrade, Of a Sort

2021-04-04 John Winkelman

Reading material for the week of 2021.03.28

If the above image seems subtly different from the images in the previous posts, it is because I just bought a new smart phone to replace my ageing Galaxy Note 4. I now have a Google Pixel 4a/5G, which in most ways is not appreciably different from any other mid-range smart phone, but it does have an amazing camera, which is apparently the hallmark of the Google Pixel series. So expect to see an increase in the number of photo posts on this blog.

The weather in this past week was all over the place, from highs near 70 to lows in the teens. All in the space of a few days. Right now the air is a balmy 70 degrees Fahrenheit. Perfect for walking in the woods. Which I just did.

On the left pf the above photo is the latest issue of Poetry magazine, from the Poetry Foundation. On the right is Unwelcome Bodies, Jennifer Pelland’s collection of short fiction which was published by Apex Book Company. I received this as a reward for backing Apex Book Company at a certain tier on their Patreon.

In writing news, I am writing (at least) a poem a day for the month of April, and so far, four days in, am keeping up. Seems I can only write at the moment if I am under some sort of external pressure. That is all.

Posted in Literary MattersTagged Apex Book Company, photography, poetry comment on Tech Upgrade, Of a Sort

March, Already and Still

2021-03-072021-03-07 John Winkelman

It was almost exactly a year ago that the COVID lockdown hit West Michigan and I began working from home. As the joke goes, this is not March 7, 2021, it is March 372, 2020.

A small pile of books and periodicals arrived here in the past week. On the left is volume 3 of Aleksandr Solzhenitsyn’s The Gulag Archipelago. This was difficult to find, as it is a very specific volume 3 which is part of a set which was published in 1992. I picked up volumes 1 and 2 from the remainder shelf of Schuler Books and Music sometime around 1995. I kept hoping volume 3 would show up for cheap, and I left the bookstore in 1999 with that dream unfulfilled.

Next is The Best of Apex Magazine, which is volume 1 of a series, the other volumes of which have not yet been published. Apex Magazine went on hiatus in 2019 and has just recently come back, so future volumes of the anthology will hopefully be printed in upcoming years.

Next is Notes from Childhood by Norah Lange, translated from the Spanish by Charlotte Whittle and published by And Other Stories.

And last but not least is the latest issue of The Paris Review, which has managed to stay in print and excellent and relevant for over fifty years, which is admirable.

In reading news, I am well into Deepak Unnikrishnan’s weird and wonderful novel Temporary People (Restless Books), which started out as a collection of short stories in the literary fiction genre, but soon blew straight through magic realism into the realms of satire and surrealism. And it is really, really good.

In writing news, events of the mundane world sapped away much of my free time and emotional energy and I accomplished very little. I still feel the drive and desire to be creatively productive so perhaps next week will be more fulfilling.

Tune in next week for such thrilling tales as “Welp. Here I am again,” and “Here are some books,” and if time and energy allow, “Here is some stuff I have been thinking about.” See you next time, loyal reader(s)!

Posted in Literary MattersTagged Aleksandr Solzhenitsyn, Apex Book Company, COVID-19, Paris Review comment on March, Already and Still

Not Quite Normal, But Close

2021-02-282021-03-05 John Winkelman

February was unexpectedly chaotic, though the ups and downs seem to be tending upward, in part due to a steadily increasing outdoor temperature and amount of sunlight. The lack of a card-carrying white supremacist in the white house also helps.

Three books arrived this past week. On the left is Neeli Cherkovski‘s biography of Lawrence Ferlinghetti, released in 1979, when Ferlinghetti was 60 (!). I picked this up from Third Mind Books in Ann Arbor, which is an excellent resource for anyone interested in the Beats, as well as the Modernist, New York School and Black Mountain poets.

Ferlinghetti died this past Monday, at the age of 101. When I get get my head sorted out about this I will post an article or two.

Next is Anders Dunkers’ Rediscovering Earth: Ten Dialogues on the Future of Nature, (OR Books) a collections of conversations with writers and thinkers discussing what may be and what will be the state of nature and our place in it, going forward from here.

On the right is Cuba in Splinters, a collection of short fiction in translation from Cuba. This was an impulse buy from OR Books, which I picked up when I ordered Rediscovering Earth. My attention was probably primed because I was in the middle of reading Super Extra Grande by Cuban science fiction writer Yoss.

I spent the last week reading books in translation, and completed three more of my backlog of such books – Permafrost by Eva Baltasar (And Other Stories), Super Extra Grande by Yoss (Restless Books), and A Greater Music by Bae Suah (Open Letter Books). Now for a change of pace I am reading Starship’s Mage by Glynn Stewart, which I picked up last year at ConFusion. I’m less than 100 pages in, and really liking it so far.

In writing news, I am working on edits to a short story I wrote for a call for submissions for the Grimm, Grit and Gasoline anthology published by World Weaver Press. The story was not accepted, obviously, but I think it has promise.

This past Friday I had the great good fortune to spend some time talking the story over with Jason Sizemore of Apex Book Company. The opportunity was made available to supporters of the Apex Patreon, which I am and have been for a couple of years now. I met Jason at ConFusion back in (I think) 2016, where we spent a few minutes discussing the ins and outs and ups and downs of the publishing business. Obviously Apex is doing much better than Caffeinated Press ever did, but there were many similarities in the experiences of running our respective independent publishers.

The increased reading and the access to a professional editor have me feeling reinvigorated, and warmth and sunlight are always energizing. It’s time to get writing.

Posted in Literary MattersTagged Apex Book Company, ConFusion, Lawrence Ferlinghetti, reading, translation, writing comment on Not Quite Normal, But Close

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