And that’s really what this whole spring has been, hasn’t it? Just at the cusp of getting out of bed we hit the snooze button and suddenly two more weeks have gone by. Here in Michigan, Governor Whitmer has extended the stay-at-home order until June 12, though she is gradually allowing the opening of more and more businesses under specific instructions as regards social distancing and the gathering of crowds.
For me, it won’t change anything as I am on my hellish project until (at most recent notice) June 18. 10 hour days, 50 hours a week, Tuesday through Saturday, 2 pm to midnight, for three and a half more weeks. It mostly isn’t really a problem except when the weather is beautiful (as it has been for the past week) and I can hear the neighbors hanging out in their back yards, drinking beers and grilling various meats. Then it feels like something which is being done to me, even though I volunteered, to the extent that anyone volunteers for a project when the alternative is likely unemployment.
But the books do continue to trickle in, though that is not a reliable or accurate way to measure the passing of time. On the left and right of the above photo are the most recent deliveries from Two Lines Press, Echo on the Bay by Masatsugo Ono, and On Lighthouses, by Jazmina Barrera. In the middle is the new Girl Genius collection, Queens and Pirates, from Kaja and Phil Foglio, just delivered from their latest Kickstarter. World events caused many delays in the delivery of this beautiful graphic novel, but they persevered and it is now in my greedy little hands.
In reading news, I just finished M.L. Wang‘s superb The Sword of Kaigen, which recently won the 2019 Self-Published Fantasy Blog-Off. This is some seriously quality work, and should remove any doubts as to the quality of self-published fiction available to read. I, fortunately, had already had those doubts removed thanks to meeting stellar writers like Dyrk Ashton, T.L. Greylock, Phil Tucker, D. Thourson Palmer, Mike Shel, and many others at the ConFusion science fiction convention over the past several years, as well as Jean Davis here in West Michigan, who we worked with extensively back in the heyday of Caffeinated Press.
At ConFusion 2020 earlier this year I attended a panel about self-publishing and everyone was talking about the SPFBO, so I finally looked it up and, well, it is magnificent! 300 entries whittled down to ten finalists and then one winner over the course of about ten months. All volunteer run, and coordinated by author Mark Lawrence. The sixth year of the SPFBO has just commenced and I find myself continually distracted by the commentary on social media. It even prompted me to (o god) reactivate my Reddit account so I could keep up with everything on r/Fantasy.
All of this is timely, as now that things are less chaotic (but by no means normal) I have the brain-space to think about writing again. I dusted off my failed 2016 NaNoWriMo novel (ran out of steam after 13,000 words), and discovered that there are the bones of something I can turn into a good book. My partner has recently finished setting up her home office and has been burning the midnight oil putting her thoughts to paper so it feels like there is something in the air, and that if I don’t at least lay the groundwork of a book in the next few weeks the opportunity will pass me by and my life will be the poorer for it.
Writing a fantasy novel is also a good escape from the stresses of the mundane world right now, as real-world travel is difficult and problematic during a pandemic-induced quarantine.
My mind, at least, has freedom to roam.