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Author: John Winkelman

IWSG, July 2023: Where Do They Come From? Where Do They Go?

2023-07-052023-07-03 John Winkelman

Poe gazing out at the neighborhood

Well it’s been a crazy couple of months here at the Library of Winkelman Abbey. A major landscaping project took up most of May and June, with the final brick laid on June 28. I am on an extremely busy project at work which will keep me occupied through July 2024, and Zyra and I took a whirlwind trip around Lake Michigan, stopping in Chicago, Madison, Marquette, and Sault Ste. Marie. We saw several people who we have missed dearly, and while the break in the routine was much-needed, it was a lot of driving. Well over 1,200 miles in five days.

All of which is to say, my writing time since the Equinox has been basically non-existent.

But I have this week off from work, and am spending as much time as I can sitting on the porch with books and cats and various drinks and snacks. Therefore this is a week for recovery.

Since November 2022 (NaNoWriMo) I have written practically nothing, other than infrequent blog posts and almost-daily journaling. In past years I would have a pile of poetry, short stories, essays, etc. scattered around my house, laptop and brain. This year, that was not the case.

For a time I thought it might be an after-effect of contracting COVID back in January, but my newest theory is this:

For my entire adult life writing has been a social activity. I started when I worked at Schuler Books, sharing ideas with my cow-orkers and participating in weekly group discussions and writing groups. We were a mutually reinforcing, ever-evolving group of creative and talented weirdos, and we always had something new in the works.

Somewhere in the early 2000s, well after leaving the bookstore, the writing began to taper off, though I kept up with the journaling, and when blogging became A Thing I took to it like crazy (note that the archives on this site go back to 1999).

In November 2013, at the tail end of a profoundly hellish couple of years, I participated in my first NaNoWriMo, and joined a local writing group. This turned into five years of running Caffeinated Press, and though I was busier than ever before in my life, I still found plenty of time and energy to write creatively.

This was because, again, I was surrounded with creative people engaged in creative work, feeding off of that energy and contributing to it as part of multiple writing groups and projects.

For obvious reasons, social interaction here is 2023 is a much different thing than it was in 2018. And I am in a long-term relationship, and I am in my mid-fifties, and the world is a different place than it was five years ago. And I am a much different person than I was five years ago.

One of the biggest personal changes is that I have almost no solitude any more. My time to myself is measured in minutes, where it used to be measured in days. Therefore the thought of adding more interactions with people fills me with anxiety. Yet my writing habits of the past thirty years are tightly tied to being part of a writing community. Groups like IWSG are helpful but limited; for me, there are too many spatial, temporal, and digital interfaces between the participants to cultivate a sense of community like back in The Old Days.

But time only moves in one direction (for most of us, anyway), and having had the above realization, and having thought it through, now I can begin to do something about it. Time to get back to work.

The Insecure Writer’s Support Group question for July 2023 is: 99% of my story ideas come from dreams. Where do yours predominantly come from?

My story ideas can come from almost anywhere. Most common is from being out in the world, talking to people or walking the streets of Grand Rapids, or sitting in a cafe or relaxing at the beach. Which is to say that most of my ideas come from those moments when I don’t have much else going on, and have the time and brain-space to follow a thought far enough to turn it into the seed of a story or poem.

That doesn’t mean that I have time to write the idea down; simply that the idea exists. If I remember it long enough to write it down, it is probably something worth exploring.

 

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Posted in Literary MattersTagged IWSG, writing 4 Comments on IWSG, July 2023: Where Do They Come From? Where Do They Go?

June 2023 Books and Reading Notes

2023-07-012023-07-28 John Winkelman

June is my birthday month, and I celebrated by driving clockwise around Lake Michigan, starting in my home town of Grand Rapids and hitting Madison, Marquette, and Sault Ste Marie before returning home. In each city, we stopped at an independent bookstore where I offered my monetary support in exchange for bound bundles of words. That, plus the arrival of a couple of Kickstarter rewards, made this the biggest book acquisition month of the year thus far.

Acquisitions

New arrivals in the month of June 2023

  1. Rihannon Rasmussen and dave ring (editors), Luminescent Machinations: Queer Tales of Monumental Invention (Neon Hemlock Press) [2023.06.02] – Kickstarter reward
  2. China Miéville, A Spectre, Haunting: On the Communist Manifesto (Haymarket Books) [2023.06.03] – Purchased from Books and Mortar bookstore in Grand Rapids, Michigan
  3. Maurizio Lazzarato, Capital Hates Everyone: Fascism or Revolution (Semiotext(e)) [2023.06.06] – Purchased at A Room of One’s Own bookstore in Madison, Wisconsin
  4. R.F. Kuang, Yellowface [2023.06.06] – Purchased at A Room of One’s Own bookstore in Madison, Wisconsin
  5. Chris McCabe (editor), Poems from the Edge of Extinction [2023.06.08] – Purchased at Snowbound Books in Marquette, Michigan
  6. Joy Harjo, An American Sunrise [2023.06.09] – Purchased at Island Books and Crafts in Sault Ste Marie, Michigan
  7. Florence McClinchey, Joe Pete (Ziibi Press) [2023.06.09] – Purchased at Island Books and Crafts in Sault Ste Marie, Michigan
  8. Patricia Bray and Joshua Palmatier (editors), Solar Flare: Solarpunk Stories (Zombies Need Brains) [2023.06.30]
  9. S.C. Butler and Joshua Palmatier (editors), Dragonesque (Zombies Need Brains) [2023.06.30]
  10. Stephen Kotowych and Tony Pi (editors), Game On! (Zombies Need Brains) [2023.06.30]
  11. David B. Coe and Edmund B. Schubert (editors), Artifice & Craft (Zombies Need Brains) [2023.06.30]

Reading List

What I read in the month of June 2023

Books

  1. Jim Harrison, Returning to Earth (re-read) [2023.06.04]
  2. R.F. Kuang, Yellowface [2023.06.16]
  3. Neal Stephenson and Nicole Galland, The Rise and Fall of D.O.D.O. [2023.06.24]
  4. Jonathan C. Creasy (editor), Black Mountain Poems: An Anthology [2023.06.25]
  5. Gilles Deleuze and Felix Guattari, Nomadology: The War Machine [2023.06.30]
Posted in Book ListTagged China Miéville, Chris McCabe, dave ring, Felix Guattari, Florence McClinchey, Gilles Deleuze, Jim Harrison, Joy Harjo, Maurizio Lazzarato, Neal Stephenson, Nicole Galland, poetry, R.F. Kuang, Rihannon Rasmussen, Zombies Need Brains comment on June 2023 Books and Reading Notes

IWSG, June 2023: If Not This, Then What?

2023-06-072023-06-10 John Winkelman

[2023.06.10 NOTE: This post was written several days later than was originally scheduled.]

Hi Everyone! I am just returned from a whirlwind trip around Lake Michigan where my partner and I stopped to visit friends and family in Madison WI, Marquette MI, and Sault Ste. Marie MI. Thus the lateness and brevity of this post.

The Insecure Writer’s Support Group question for June 2023 is: If you ever did stop writing, what would you replace it with?

Good question! I would probably increase my practice time at Master Lee’s school. Then again that is something I should do anyway. Honestly, I can’t fathom what it would be like to stop writing, so a safe answer is that if something were to stop me from writing, it would probably be the kind of circumstance or event which would prevent me from doing almost everything else too.

 

 

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Posted in Literary MattersTagged IWSG, writing 4 Comments on IWSG, June 2023: If Not This, Then What?

54, or 3x3x3x2

2023-06-052023-06-04 John Winkelman

Happy birthday to me! I have made it to 54, which now officially places me in my mid-fifties, and also firmly in middle age. One more year and I will get to choose from the next tier in the “your age” dropdown menus when e.g. signing up for a new social media platform.

This past year felt like coming out of a long hibernation, and I expect the upcoming year will continue that trend as we continue to adjust to whatever the new normal is, assuming enough stability for any one narrative to assert itself as “normal”, which frankly is asking a lot of the world at this point in time.

The last book I read as a 53-year-old was Jim Harrison’s Returning to Earth, and the first book I am reading as a 54-year-old is Gabriel Garcia Marquez’s Collected Novellas. Thus do years end and start on high notes.

Not much else to report at this time. Life is busy, and enjoyable more often than not.

Posted in Life comment on 54, or 3x3x3x2

May 2023 Books and Reading Notes

2023-06-012025-04-15 John Winkelman

May was a slightly better month for reading than April, if only because there was more daylight to be had and I had the occasional opportunity to sit on the porch with a glass of wine.

Acquisitions

Books i purchased in May 2023

  1. Travis Baldree, Legends & Lattes [2023.05.07]
  2. China Mieville, The City & The City [2023.05.07]
  3. Kaja and Phil Foglio, Girl Genius vol. 20: The Exorcism Engines (Studio Foglio) [2023.05.30]

Reading List

Books I read in May 2023

Books

  1. Alexander Darwin, The Combat Codes (ebook), self-published [2023.05.06]
  2. Travis Baldree, Legends & Lattes [2023.05.07]
  3. Arne De Boever and Warren Neidich (editors), The Psychopathologies of Cognitive Capitalism, Part 1 [2023.05.24]
  4. Sayaka Murata (Ginny Tapley Takemori, translator), Earthlings [2023.05.28]
  5. Angela Boord, Fortune’s Fool (ebook), self-published [2023.05.29]

Short Prose

  1. Franco “Bifo” Berardi, “The Mind’s We: Morphogenesis and the Chaosmic Spasm, Social Recomposition, Technological Change and Neuroplasticity”, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.08]
  2. Jason Smith, “Soul on Strike”, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.08]
  3. Tiziana Terranova, “Ordinary Psychopathologies of Cognitive Capitalism”, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.13]
  4. Jodi Dean, “Collective Desire and the Pathology of the Individual”, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.14]
  5. Arne de Boever, “‘All of us go a little crazy at times’: Capital and Fiction in a State of Generalized Psychosis”, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.15]
  6. Jonathan Beller, “Pathologistics of Attention, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.19]
  7. Bruce Wexler, “Neuroplasticity, Culture and Society”, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.22]
  8. Warren Neidich, “Neuropower: Art in the Age of Cognitive Capitalism”, The Psychopathologies of Cognitive Capitalism, part 1 [2023.05.24]
Posted in Book ListTagged Alexander Darwin, Angela Boord, China Miéville, Cognitive Capitalism, Sayaka Murata, Travis Baldree comment on May 2023 Books and Reading Notes

IWSG, May 2023: You’re My Inspiration

2023-05-032023-05-03 John Winkelman

Poe with a blep

Yeah, the above photo sums up my state of mind for the past month.

Not long after posting the April IWSG response, the burnout came crashing down and my mental capacity was reduced to little more than spasmodically responding to immediate stimuli. Fortunately, in my day job I am a programmer. Programming, when you boil it down to the essentials, is really about creating specific responses to specific stimuli. We call it “input”, but why split hairs?

Therefore my entire creative output for National Poetry Month came to maybe five poems, out of which at most one shows any promise. But I did become even more sleep deprived, which is a victory of sorts.

The May 2023 Insecure Writer’s Support Group question is: When you are working on a story, what inspires you?

This is a surprisingly difficult question to answer, as inspiration could change from story to story, or even from scene to scene within a story. So it might be more useful for me to answer that at a deeper level – what inspires me to be creative? And I think the answer to that is, the drive to create something which is ideally beautiful, hopefully internally consistent, and which effectively communicates the original multidimensional idea behind the story.

As I move well into middle age, and look back over the scores of stories and hundreds of poems in my portfolio, I think everything I have written is a facet of the same stone, and I am polishing that facet and presenting it to my readers and saying “Do you see?” And whether the answer is “yes” or “no,” I use that response as inspiration to hone my craft and try to communicate that idea through another facet, be it a novel, a short story, a poem, fantasy, science fiction, literary fiction, a game, or a scribbled note in the margins of an old Dungeons and Dragons character sheet.

At the beginning each of my creative works is inspired by asking “what if?”

As I near the end of the process, the inspiration may mutate into desperation because I just want to be able to write THE END without, you know, skipping to THE END.

As a final note, I want to thank the IWSG community for accepting me into their ranks. I have been participating for just over two years, and writing these posts, and reading the other answers to the monthly questions, help keep me focused and, frankly, inspired.

 

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Posted in Literary MattersTagged IWSG, writing 5 Comments on IWSG, May 2023: You’re My Inspiration

April 2023 Books and Reading Notes

2023-05-012023-04-30 John Winkelman

April was a mediocre month for reading. I don’t know if it was post-COVID brain fog or general stress, or just a heavy work project maxxing out my brain capacity. As you can see, I read two short books at the beginning of the month, then the third one took almost three full weeks to complete, then a short book of poetry to round out National Poetry Month. Maybe May will be better.

Acquisitions

Issues 19, 20, and 21 of Pulphouse Fiction Magazine

  1. Pulphouse Fiction Magazine #19
  2. Pulphouse Fiction Magazine #20
  3. Pulphouse Fiction Magazine #21

Reading List

Books

Book read in April 2023
Book read in April 2023
  1. Kim Yi-deum (Ji Yoon Lee, translator), Blood Sisters [2023.04.02]
  2. Pablo Neruda (William O’Daly, translator), Book of Twilight [2023.04.07]
  3. Rebecca Giblin and Cory Doctorow, Chokepoint Capitalism [2023.04.26]
  4. Reina María Rodríguez (Kristin Dykstra and Nancy Gates Madsen, translators), The Winter Garden Photograph [2023.04.29]
Posted in Book ListTagged Cory Doctorow, Kim Yi-deum, Pablo Neruda, Pulphouse Fiction Magazine, Rebecca Giblin, Reina Maria Rodriguez comment on April 2023 Books and Reading Notes

IWSG, April 2023: The First One

2023-04-052023-04-05 John Winkelman

Maple buds against a clear blue morning sky.

Oh, what a month was March. The hours seemed to fly by, but the days dragged. The weather is much improved, though the warmest day of the year so far was back in February.

I have a new project at work which, while not demanding any more time than any other project, is taking vastly more mental energy than I am used to, so writing over the past month has been sparse.

April is National Poetry Month! As with the past several Aprils, I attempt to write a poem a day for the month, while primarily reading poetry, just to keep my head in that space. So far I have written four poems, which brings my total for the year to, uh, four.

The Insecure Writer’s Support Group question for April 2023 is:

Do you remember writing your first book? What were your thoughts about a career path on writing? Where are you now and how is it working out for you? If you’re at the start of the journey, what are your goals?

I have written six books over the past decade, thanks to NaNoWriMo. Of those six, two (one literary fiction, one magic realism/weird fiction) are completed first drafts. The rest are in various stages of “in progress” or “abandoned.”

It goes without saying, therefore, that I have not yet published any books of my own writing.

I have never expected to make a career out of writing books, or indeed any other kind of writing. The few pieces I have had published (short stories, poems) were not published at paying markets. This is fine. I used to run a small publisher, and I know how these things go.

But I suppose a “career” is not necessarily the same thing as whatever we do for our main, or even secondary (tertiary, etc.) source of income. This eases the pressure on writing by loosening time constraints and making those self-imposed deadlines more like guidelines. This works both for and against us, as I am sure all of you have discovered at one time or another.

As for writing goals, it is difficult right now to make long-term writing plans. I have a great many stories and poems bouncing around in my head, but finding the quiet time to put those words to paper is not as easy as it was five years ago. I am a little older every year, and when given the option between half an hour of writing and half an hour of sleep, sleep will win every time.

Then again, April is finally here and today the outside temperature is expected to be above 70°. That would make today the warmest day of the year so far. I don’t know about you-all but warmer weather just makes everything easier.

Even writing.

Insecure Writer's Support Group BadgeThe Insecure Writer’s Support Group
is a community dedicated to encouraging
and supporting insecure writers
in all phases of their careers.

Posted in Literary MattersTagged IWSG, writing 1 Comment on IWSG, April 2023: The First One

March 2023 Books and Reading Notes

2023-04-012023-03-31 John Winkelman

March was a quieter month than usual, as winter dragged on and on and on, sucking the energy out of the world and making it difficult to stay awake during my usual reading times.

Point of interest: This is the first month, since I started tracking things back in 2015, in which I have only acquired one book or book-like object. The previous record for smallest monthly haul was 3.

Acquisitions

The Boston Review #2023.1: Speculation

  1. Boston Review #2023.1: Speculation [2023.03.04]

Reading List

Books I read to completion in March 2023.

Books and Journals

  1. Lawrence Ferlinghetti, Writing Across the Landscape [2023.03.13] – This was an interesting read. Ferlinghetti wrote beautifully about the many places he visited, and I enjoyed seeing how his artistic eye evolved over the five decades captured in this book. Highly recommended. May cause wanderlust.
  2. E. Catherine Tobler, The Kraken Sea [2023.03.15] –
  3. Jordan Kurella, I Never Liked You Anyway [2023.03.18] – A modern-day re-imagining of the story of Eurydice and Orpheus. I loved it!
  4. Shenaz Patel (Jeffrey Zuckerman, translator), Silence of the Chagos [2023.03.19]
  5. Lady Churchill’s Rosebud Wristlet #38 [2023.03.21] – As always, this was an excellent issue. I think my favorite story was A.B. Young’s “Vain Beasts.”
  6. David Albahari (Ellen Elias-Bursać, translator), Checkpoint [2023.03.23] – This was a weird, brilliant, discomforting read. The cover blurbs are right: Definite hints of Catch 22, Waiting for Godot, and (in my opinion) a little bit of Blood Meridian. Checkpoint is absurd and weird and ultimately futile.
  7. Neon Yang, The Ascent to Godhood [2023.03.26] – This was pretty good. Not quite as good as the first two novellas in the series, but I have yet to be disappointed by any of Yang’s work.
  8. Xu Zechen (Eric Abrahamsen, translator), Running Through Beijing [2023.03.28]

Short Prose

  1. Ellen Rhudy, “The Remaining”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.08]
  2. James L. Cambias, “René Descartes and the Cross of Blood”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.19]
  3. Nicole Kimberling, “Comfort Food”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.19]
  4. Emily B. Cataneo, “Bears at Parties”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  5. A.B. Young, “Vain Beasts”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  6. Sarah Monette, “The Oracle of Abbey Road (Blackbird Singing in the Dead of Night), Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  7. Joanna Ruocco, “Stone, Paper, Stone”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.20]
  8. S. Woodson, “Lime and the One Human”, Lady Churchill’s Rosebud Wristlet #38 [2023.03.21]
Posted in Literary MattersTagged Boston Review, David Albahari, E. Katherine Tobler, Jordan Kurella, Lady Churchill's Rosebud Wristlet, Lawrence Ferlinghetti, Neon Yang, Shenaz Patel, Xu Zechen comment on March 2023 Books and Reading Notes

AI and Art: What Goes In Is What Comes Out, At Most

2023-03-032023-03-03 John Winkelman

Back in January, I participated on two AI Art-themed panels panels at ConFusion 2023. I discussed these panel briefly in my ConFusion 2023 follow-up post, but I wanted to add some thoughts here, specifically around ChatGPT and the use of computer generated content in the context of writing.

When it comes to ChatGPT creating content, whether that content be fiction or nonfiction, it does what all of these tools do: remixes previously existing content. I make no claims about whether the thing created by an algorithm is “art” or “creative” or even “new,” but what the new content does not do is transcend its input.

ChatGPT and similar tools are trained by scanning and (hopefully) contextualizing all of the text on the internet. While ChatGPT has (or had) safeguards in place to counter the large amount of hate speech endemic to the modern internet, it still has literally centuries or even millennia of content in its input stream. A great deal of that content is regressive or even revanchist by today’s sensibilities.

And since these machine learning tools can not imagine the new, they will continue to remix the old. Even as new, human-created works become available, this new data is miniscule compared to the vast troves of work on which these tools have already been trained. And a sizeable portion of the new inputs from these tools will be previous output from the same tools, resulting in a sort of solipsism which quickly becomes untethered from any human creativity or input, thus making a large portion of the output of those tools useless except as a point of curiosity.

Additionally, here are a few points of reference:

  1. That which is called “AI” in these contexts is not artificial intelligence as it is generally understood, but is variously either neural networks, the output of machine learning tools, pattern-matching algorithms, or (usually) some combination of the three, and in all cases the output is the result of running these tools against input which was generated, overwhelmingly but not exclusively, by humans.
  2. The landscape of AI-generated art, which includes text, music, and visual arts, is rapidly evolving.
  3. Opinions on the use of AI in the arts, as well as the effects of AI generators upon the profession and livelihood of artists, are wide and varied, and continue to evolve and gain nuance.

Some more links on this general topic:

  • Jason Sanford’s Genre Grapevine post on this subject on his Patreon, written around the time of the ConFusion panels
  • “AI = BS” at Naked Capitalism
  • The 2023 State of the World conversation at The Well
  • ChatGPT Is a Blurry JPEG of the Web – Ted Chiang
Posted in Current EventsTagged art, artificial intelligence, ChatGPT, machine learning, writing comment on AI and Art: What Goes In Is What Comes Out, At Most

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