Author: John Winkelman

Rainy Days are Good Days for Reading

John Winkelman

An interesting mix of reading material arrived here last week, fueled in part by a friend purging her collection and sending some books my way.

On the top left is the latest title from Two Lines Press, The Skin Is the Elastic Covering That Encases the Entire Body, by Bjørn Rasmussen. Next is the latest issue of Poetry Magazine. The last two in the first row are from Rudy Rucker’s most recent Kickstarter.

The three in the second row are the books from the friend who studied English and literature and the interpretations thereof, many years ago. She actually sent a large stack my way, but these three were the only ones which seemed like I would be able to make sense of them without a Master’s Degree.

In reading news, I finished The Nine by Tracy Townsend. It was fantastic! I’m looking forward eagerly to reading the sequel. I am not going to pick up another long novel until I finish the initial read-through of a draft of a book one of my oldest and dearest friends sent me a few weeks back. Once that is done, I will dive back into long-form fiction.

But I am still reading poetry. I just started Here: Poems for the Planet, edited by Elizabeth J. Coleman and published by Copper Canyon Press. The work contained herein is, quite simply, extraordinary. I usually write about nature and the environment in my own poetry so I find myself continually inspired by this collection. And I’m writing more too. Maybe one of these decades I’ll even get published!

The Books of May

John Winkelman

Some interesting additions to the library this week. I took advantage of the Mayday sale at OR Books and picked up some titles to help give me some perspective and energy in this, the most stupid and sadistic timeline.

The top row is all OR Books books. on the left is Beautiful Trouble, a primer for “carnivalesque realpolitik” which seems like a more and more necessary aesthetic as fascism reasserts itself in the Western world.

Next to it is Dream or Nightmare, an exploration of taking the struggle against ascendant fascism to the realm of stories and myths. This makes sense, as there are no rational versions of pro-fascist/alt-right/neo-feudalist thought or actions, so applying reason in the fight against right-wing theocracies simply doesn’t work. Fight stories with stories.

On the right is Welcome to the Greenhouse, a collection of stories exploring various facets of climate change. Also necessary, and not shelved in “current events.”

In the second row, on the left, is Here: Poems for the Planet, a new poetry collection from Copper Canyon Press. Timely, all things considered, and a good companion to Welcome to the Greenhouse.

In the middle is the latest issue of Poetry, which actually arrived a couple of weeks ago. I simply forgot to add it to that post.

On the right is the newest issue of Pulphouse Magazine which I hope to dive into this weekend.

On the reading side of things, what with upgrades to my relationship, as well as some upcoming family stuff, I have not had a lot of reading time. Still working my way through The Nine by Tracy Townsend, and so far it is excellent, interesting, and occasionally very weird. I am still also working through Jessica Comola’s poetry collection. With a little luck I will complete both this weekend. Then on to, uh, something new. Selah!

On a side note, last night I watched the season finale of Game of Thrones, and I overall enjoyed it, though it did have some flaws and the last two seasons felt quite rushed. Scientific American has a long write-up about GoT and storytelling which puts a lot of my feelings in context. Definitely worth reading.

I Got Nuthin’

John Winkelman

For the first time in many month, I have endured a terrible week where no new reading material arrived at the library of Winkelman Abbey. At this rate I may end up reading as many as 50% of my books before I die of old age, and that thought makes me feel oddly claustrophobic.

In reading news, I finished Ours is the Storm by D. Thourson Palmer, and have just opened The Nine by Tracy Townsend. This is another ConFusion acquisition, as was the Palmer book and several others from earlier this year. I love being able to read and enjoy the works of people I know personally (if not well). ConFusion is wonderful like that. I am also progressing through Jessica Comola’s poetry collection everything we met changed form & followed the rest. I hope to have both books complete by the beginning of June, as summer looks to be extremely busy.

The photo for this post is one of over five dozen fish in a mural created at 555 Monroe Avenue here in Grand Rapids. The specific fish was created by local artist James Broe.

Ugly Ducklings, All in a Row

John Winkelman

Books acquired during the week of April 28. 2019

This past week was quite busy, so I didn’t get the chance to dive into the pile of deliveries until late Sunday night during an uneven episode of Game of Thrones.

From top left, we have Empty Words by Mario Levrero, the latest from And Other Stories, followed by Igiaba Scego’s Beyond Babylon, from Two Lines Press. The remaining six arrived in one glorious bundle from Ugly Duckling Presse, who continue to impress the hell out of me with the quality and breadth of their offerings.

All of these books are part of subscriptions I have to the various publishers. While I will at some point create a lengthy blog post on the topic, I want to say that my several-year experience/experiment with subscriptions to publisher catalogs has left me thoroughly loving the concept. Open Letter Books, Deep Vellum, Restless Books, And Other Stories, Horse Less Press, Two Lines Press, and Ugly Duckling Presse all produce consistently good-to-superb titles which I would likely never have encountered had I not made a leap of faith and shelled out the money for a subscription.

[Side note: All of the above institutions are (mostly) publishers of literature in translation and/or or poetry.]

I haven’t had much time for reading in the past week. I closed out National Poetry Month with Gestures by Artis Ostups (published by Ugly Duckling Presse, of course), and am about 60% of the way through Ours is the Storm by D. Thourson Palmer. The current book of poetry is everything we met changed form & followed the rest by Jessica Comola, published by Horse Less Press.

Incidentally, Gestures is the twentieth book I have finished so far this year. At this pace, if I cut into my sleep schedule just a bit, I should be able to complete fifty by the end of 2019.

Appropriate Cover Art

John Winkelman

Books acquired week of April 20, 2019

Spring is in full bloom here in Grand Rapids, which means we need to pull plants indoors overnight on account of random catastrophic snowstorms. Fortunately I have enough books in my house to keep us insulated in the event of an April snowpocalypse.

The May 2019 issue of Poetry is the only reading material to find its way to my house this past week. Fitting, I suppose, for the last full week of National Poetry Month.

In reading news, I have been burning through poetry collections as fast as I can turn the pages. In the past week I completed Wyn Cooper’s Postcards from the Interior and CJ Evans’ A Penance. I am now about halfway through the superb Gestures by Artis Ostups, published by Ugly Duckling Presse. I should have it completed before the end of the month, just two days away.

Three days ago I finished Laurus, and am still processing my emotions. I can’t describe the book without running out of superlatives. It is magnificent. I would put it on a shelf with Eco’s Name of the Rose, Marquez’s One Hundred Years of Solitude, any of the fiction of Borges, and probably (and of course) Bulgakov’s Master and Margarita. Vodolazkin’s particular use of the holy fool (юродивый) characters blurs the edges of reality and moves Laurus well into the real of magic realism. I will certainly be reading this one again in the years to come.

With Laurus done, I have just begin D. Thourson Palmer‘s Ours is the Storm, which I picked up at ConFusion this past January. Though I am only about twenty pages in I am already hooked. It’s a good one so far.

Over at The Ringer, Brian Phillips has written a wonderful remembrance of Gene Wolfe.

Acquisitions and Losses

John Winkelman

It’s been another quiet week for literature here at the library of Winkelman Abbey. The only book to make its way into my collection is the above, It’s All Just a Draft by Tobias S. Buckell. This book is a Kickstarter reward.

I met Buckell a few years back at the ConFusion science fiction convention. He is a semi-regular guest and panelist, and a fun person to talk to at the bar in between sessions. He writes some excellent books, of which my favorites are his Xenowealth series, Crystal Rain, Ragamuffin, and Sly Mongoose.

In reading news, I am most of the way through Postcards from the Interior by Wyn Cooper, who I almost met a couple of years ago at the Lost Lake Writer’s Retreat. Almost, because though Cooper couldn’t make it to the retreat, his books did, and I bought some of them. I didn’t have much time or brain-space for reading, so my poetry intake is languishing. I should be done with it today, and then on to the next one! I am also almost finished with Laurus, and should be on to the next evening read by the end of the week.

The “loss” referred to in the title of this post is, of course, the legendary Gene Wolfe, who passed away last weekend at the age of 87. I have been an on-again, off-again fan since the mid-1990s, when I first read his superb Shadow of the Torturer. I met Wolfe briefly at a science fiction convention (probably ConFusion but also possibly a different one) back in the early 2000s. I still regret not having got a book signed.

Here is a brief list of remembrances and appreciations of Mr. Wolfe.

Remembering Gene Wolfe, Valya Dudycz Lupescu
Gene Wolfe Was the Proust of Science Fiction, The New Republic
There Are Doors Everywhere, CSE Cooney
Valar Morghulis, George R. R. Martin
The Bureaucrat has Left the Planet, Michael Swanwick

Books From Near and Far and In Between

John Winkelman

It was another quiet week here in the library at Winkelman Abbey, which is good, considering that, as far as I can tell, I own about a thousand more books than I have actually read. Per Umberto Eco’s antilibrary, I don’t actually consider this to be a problem.

On the left is the newest book published by our very own Caffeinated Press: Trust, the first book in Jean Davis‘s new trilogy The Narvan. Davis is one of the brightest literary lights here in West Michigan. She is a consummate professional, a dedicated booster and supporter of the West Michigan writing scene, and a superb writer.

In the middle is Elemental, a collection of nonfiction writing by Michigan writers, published as part of the Made in Michigan Writers Series of Wayne State University Press. This was an impulse buy of sorts; I noticed it on the WSU Press website when I pre-ordered Jack Ridl’s Saint Peter and the Goldfinch, and added it to my order on a whim. It’s on the top of my stack of to-read books, starting in May.

On the right is Bright by Duanwad Pimwana, the most recent delivery from my subscription to Two Lines Press. I’m looking forward to this one in particular because, as near as I can tell, this is the first book in my collection from a Thai author.

In reading news, I continue to burn through my collection of poetry. Since my last post I have read When the Moon Knows You’re Wandering by Ruth Ellen Kocher, and The Somnambulist by Lara Mimosa Montes. I admit I had a hard time getting into the Kocher poems, and finally gave up about halfway through the book. This is not a slight on the quality of the poetry; the type of poetry she writes was simply not where my head was when I was trying to read it.

The Somnambulist, on the other hand, was great! It can be read either as a long poem broken into fever-dream fragments, or a many short poems assembled into a barbed narrative. Had I the time I could easily have read it in one session.

I would also like to give a shout out here to the publisher of The Somnambulist, Horse Less Press, a Grand Rapids outfit which is currently on indefinite hiatus from publishing. They turn out some top-notch work — full length poetry collections and hand-stitched chapbooks. Being part of a publishing house myself I understand the need for breaks from the work routine, and hope they find the mental and emotional energy to resume work. The world needs what they have to offer.

In the evenings as I drift off to sleep I am still working my way through Laurus, and it continues to be a remarkable book. I suspect I will revisit this one again and again in the years to come.

Warm Days are Good Days for Reading

John Winkelman

A little while ago, and for the first time this year, I sat out on my porch and wrote in my journal. The warm weather isn’t expected to last, but I will take every minute I can get.

The first week of April was another fairly quiet week here at Winkelman Abbey. I picked up four new books, three of which are new purchases.

On the left is issue 2 of Michael J. DeLuca‘s fine journal Reckoning, which publishes “creative writing on environmental justice.” I picked up issue 1 at ConFusion back in January, where I also met and shared beers with Mr. DeLuca (as well as several other excellent folks from the genre writing community).

Next is the second volume of the Breakbeat Poets anthology, Black Girl Magic. I picked up volume 1 when my significant other and I visited City Lights Books in June of 2018. I love these anthologies! They are full of powerful, important work which I would almost certainly have never encountered otherwise.

Third up is the revised edition of Conversations with Jim Harrison, a collection of interviews with the late poet and author. I picked up the first edition seven or eight years ago, and read it ferociously, writing down every book, poet, writer and recipe Mr. Harrison mentioned through several dozen interviews. This edition includes additional material up to Harrison’s death in late March of 2016.

Last up is I Am the Abyss, a collection of dark fiction novellas from a Kickstarter campaign I contributed to about three years ago. Things (as they often do) Happened, and production was delayed and further delayed. But the book has finally been released, and it is a thing of beauty! Nine novellas, each with its own custom artwork, all in a very well-produced, high-quality paperback.

In reading news, I finished The Monster Baru Cormorant at around 10:30 in the evening on March 31, thus opening the way for the stack of poetry books I am working my way through during National Poetry Month. So far I have completed the fiftieth anniversary edition of Lawrence Ferlinghetti’s A Coney Island of the Mind; Jack Ridl’s latest collection Saint Peter and the Goldfinch, and sam sax’s remarkable book madness. I am currently partway through When the Moon Knows You’re Wandering by Ruth Ellen Kocher.

Speaking of Jack Ridl, this past Friday I attended the Saint Peter and the Goldfinch book release party in Douglas, Michigan. It was a small quiet affair – Mr. Ridl and his family and over 200 of his closest friends filled the Douglas UCC Church to overflowing for a three hour event full of music and poetry and good fellowship. Jack was accompanied on stage by the superb John Shea Trio, who occasionally joined him for, as he put it, “poetry with jazz, rather than jazz poetry.”

Best of all? Jack signed my book.

During National Poetry Month I am tweeting brief snippets of poems from each of the poets we have published in the pages of The 3288 Review. I was going to do one a day but, well, we have published far too many poets for that to work, so each day I am tweeting out, oh, several, give or take.

It feels good to go back through the several years of publication and see the work which has inspired me to participate in the West Michigan literary community. It really feels like…home.