Author: John Winkelman

Halfway Through January

John Winkelman

I’ve been following Bruce Sterling and Jon Lebkowsky‘s annual State of the World conversation on the Well. Guest “speakers” this year are Vinay Gupta and Emily Gertz. Much of the conversation seems to center around blockchain this year, which makes sense as Gupta is one of the founders of Ethereum, and Gertz is an environmental reporter. Other topics include COVID (of course), politics (of course), the interaction of the two, and the possibility of a horde of Trumpist bootlicks and coprophages attempting to stage a civil war. The State of the World conversations are always interesting, and past years can easily be found in the index of topics.

Other interesting reads from the week:

A Good Week of Reading and Writing, and a ConFusion 2022 Update

John Winkelman

New reading material for the week of January 2, 2022

ConFusion 2022 Con Chair Lithie DuBois has just posted a transparent, detailed update on the state of ConFusion, which starts in a little less than two weeks. To sum up: ConFusion 2022 will still take place as a live event, and I will still attend as a volunteer and a panel moderator. However, the convention is in a precarious situation due to the timing of the Omicron variant and their contract with the hosting hotel. The post is well worth reading, even if you are not planning to attend the convention. This is truly a make-or-break year for ConFusion.

In more personal news, three new volumes arrived at the Library of Winkelman Abbey this past week.

First up is the latest issue of Pulphouse Fiction Magazine, from one of my few remaining active subscriptions.

Next up is SPFBO 7 finalist Shadows of Ivory by TL Greylock and Bryce O’Connor. I met Greylock at ConFusion back in 2019, when Dyrk Ashton introduced me to a number of self-published authors and thus opened the door to a vast trove of books and authors I likely never would have heard of.

Next is Bastion by Phil Tucker. I met Tucker in the same conversation with TL Greylock, at ConFusion. Truly that was a banner year for self publishing.

2022 Autonomedia Calendar of Jubilee Saints

I also received the 2022 edition of the Autonomedia Calendar of Jubilee Saints, which is always a hoot. For example, this is the entry for January 9:

Holidays: Play God Day, Martyr’s Day (Panama)
1859 – American feminist Carrie Chapman Catt born, Ripon, Wisconsin
1870 – Russian social theorist Alexander Herzen dies, Paris, France
1890 – “Robot-worker” writer Karel Čapek born, Malé Svatoňovice, Bohemia
1905 – Revolution breaks out in St. Petersburg, Russia
1908 – Philosopher, feminist Simone de Beauvoir born, Paris, France
1944 – Indian-German filmmaker Harun Farocki born, Neutitschein, Sudetenland
2021 – Ultra-leftist gay Israeli human rights activist Ezra Nawi dies, Jerusalem

You get the idea. It’s quite an informative calendar.

I first became aware of Autonomedia when I worked at Schuler Books as the special orders manager. At that time there was no Amazon.com, the internet was new, and the WWW was very much in its infancy. Therefore if people wanted books and didn’t know how to suss out publishers’ addresses and catalogs, they came to me. We had an Autonomedia catalog, and received a small but steady trickle of orders for their titles. I have a few of their books in my library, and I think I had more, once upon a time, but either loaned or donated or sold them during one of my early, ill-advised book purges.

In reading news, I finished Rebecca Roanhorse‘s newest book, Black Sun, and loved it! Highly recommended. I am now a little past page 100 of Tamsyn Muir‘s Harrow the Ninth, and enjoying it every bit as much as I did her previous book Gideon the Ninth. I hope to have it finished by the end of the week, because my pile of unread books is still embarrassingly large.

In writing news, I didn’t do a lot of writing as such, this being the first full week of the month and therefore the week set aside for editing and submitting. I spent all of my writing time organizing and cataloging all of the short stories and poetry which I wrote in 2021, and reviewed several of them to see which ones are worth revising and might eventually be worthy of submitting, or at least putting in front of beta readers. This will undoubtedly be an ongoing, rolling process, as tomorrow begins a week of writing, either creating new works or adding to existing, partially-completed works.

If any of you, my two or three readers, have writing goals, stories, or successes, feel free to leave them in the comments.

And that’s it for this week. 2022 is starting off slowly and carefully, with looming dangers and wonders just over the horizon. Happy New Year, everyone!

The First Full Week of the New Year

John Winkelman

About this time last year, when it became apparent that the COVID-19 pandemic would continue for the foreseeable future, I set about putting together a daily routine for the weekday mornings. This routine included working out, reading, writing, playing with the cats, and generally relaxing and preparing for the workday. I managed to stick with this routine until I received my first COVID vaccination shot at the beginning of April, at which point the stress and anxiety which had been powering my life to that point evaporated, and so did my routine. After my second shot at the end of April I tried to pick it up again, but other life stressors appeared and, while I managed to do some minimal workouts and writing, all of this went away at the beginning of September when my mother passed away. The writing picked up again in the beginning of November with NaNoWriMo, but I haven’t had a good steady week of morning workouts in almost a year.

So here I am at the start of 2022, with a renewed sense of purpose, if not exactly renewed energy. I am 52 (and a half!), and don’t have the deep well of mojo I had in my twenties, or even in my forties.

But a routine is a good framework around which to build a day, and mine looks something like this:

5:00: wake up, feed cats
5:10 – 6:30: calisthenics, chi kung, kung fu and tai chi forms practice
6:30 – 8:00: write
8:00 – 8:30: read or more writing
8:30 – 17:00: work prep, work
17:30 – 18:00: stationary bicycle, hand/arm/grip conditioning

For the rest of the day I relax with my girlfriend, read a little more, play with the cats, work on projects around the house, and maybe watch some TV. Repeat each day of the work week. Weekends are open time when Zyra and I do whatever suits our mood.

For writing I also planned a monthly routine, which involves setting aside the first full week of the month for editing and submitting, and using the rest of the month for writing. As this is the first full week of January, I am using my time in the mornings to catalog and sort all the poems I wrote in 2021, as well as reviewing the large pile of short stories, completed or otherwise, which await my attention.

 

IWSG, January 2022

John Winkelman

Welcome to the Insecure Writer’s Support Group post for January 2022.

Trying to take advantage of the zeitgeist, I started the new year with specific goals and plans for my writing life for the next six months. I am much more productive and engaged when I have a set routine, though every plan, no matter how flexible or rigorous, is subject to disruption by outside influences.

In 2020 I tried a weekly routine where I would write in the mornings on Monday, Tuesday, and Wednesday, then edit on Thursday and submit on Friday. Saturday and Sunday were rest time, and also “open hours” for cleaning up the odds and ends left over from the week.

Note that these three steps were not all the same writing pieces. I was not starting a poem at the beginning of the week and submitting it at the end. The work I edited was from weeks and months prior, and the works I submitted were from months and years prior.

I liked the feeling of continuity of working on writing from now, the recent past, and the more distant past. But three mornings a week is often simply not enough time. Editing, in my experience, takes at least as much time as writing, and submitting stories and poems is a lot more complicated than simply copying a poem into the body of an email and sending out into the world.

So though having discrete chunks of time for each step of the writing process was useful, the schedule I chose was too fine-grained and I found it difficult to get my head into the correct space for the daily tasks.

So this year I am trying a variation on the previous theme. The first full week of the month is set aside for editing and submitting, and the rest of the month is for writing. This way I can be fully immersed in a given (or several) projects, while setting aside time to let those projects evolve and go out into the world.

Since this is the first full week of the month, this is an editing week, and I am using it to organize and catalog the 40+ poems I wrote in 2021, and see which ones have promise. If I finish with the poetry I will knock the dust off of one of my old short stories, and see if I can’t get it to a place where I can send it out for publication.

This month’s IWSG question is:

What’s the one thing about your writing career you regret the most? Were you able to overcome it?

This is an easy one. The thing about my writing career I regret the most is the years between 1999 and 2013 where I produced almost no creative work at all.

Back in the mid to late 1990s  when I was working at Schuler Books and Music, the majority of my cow-orkers were writers, and we were all full of the kind of creative energy which comes from being part of a close-knit group of over-educated, underpaid creative types at loose ends. We created and attended reading groups, writing groups, book clubs, poetry and music events, plays, and the monthly POT (philosophical, ontological, theological) group meetings where we would stay up until the wee hours discussing topics like love, creativity, responsibility, religion, the past, the future, and the present in all its wondrous and terrible facets. We were (mostly) in our twenties. We had energy for that sort of thing.

Then I started my career as a web developer and programmer, and abruptly all my energy (and time) went to learning how to make things look good and work correctly in a web browser. This was in 1999, at the peak of the DotCom boom and I would regularly work 50-80 hour weeks, and my creative writing output dropped off to practically zero. When I look through my personal journals from that time, there are multiple gaps of several months where I didn’t write at all. And what I did write was mostly short entries complaining about being burned out and exhausted. All of my energy was going into my career, such as it was.

Then in late 2013, fresh off of the end of an extremely toxic relationship and a hellish work project where I was writing code for twelve hour days for weeks at a time without a break, I discovered National Novel Writing Month. I immediately joined a writing group made up of people from the local NaNoWriMo community, and from this experience blossomed Caffeinated Press and The 3288 Review. So as abruptly as my writing career had stalled back in September 1999, it restarted just as abruptly on November 1, 2013.

Those are fourteen years I can never get back, and in my bad moments I resent the hell out of the jobs, employers and managers who demanded so much of my time and creative energy in return for so little compensation. But I do have a stable career now, which allows me sufficient (if not exactly ample) time to write, edit and submit my work. I regret all that wasted time, but what’s past is past and I am writing now. That’s all that matters.

 

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2022 Books and Reading Material Acquisitions List

John Winkelman

This is the list of books and other reading material which I acquired in calendar year 2022. This is the eighth iteration of this list. The seven previous lists are available from the Index of Indexes.

This year I am slightly changing the format of this page to include the date each publication on this list was acquired. Titles in bold text are books and journals which I have read.

January (17)

  1. Pulphouse Fiction Magazine #15 [2022.01.02]
  2. Tucker, Phil – Bastion (self published) [2022.01.05]
  3. Greylock, TL and O’Connor, Bryce – Shadows of Ivory (self published) [2022.01.05]
  4. Poetry #219.4 [2022.01.18]
  5. Fateforge 4, Encyclopedia (Studio Agate) [2022.01.19]
  6. Bell, E.D.E. – The Banished Craft (Atthis Arts LLC, inscribed) [2022.01.20]
  7. Cieslak, Michael (editor) – Hidden Menagerie, vol. 1 (Dragon’s Roost Press, inscribed) [2022.01.21]
  8. Tomlinson, Patrick S. – Starship Repo (inscribed) [2022.01.21]
  9. Tomlinson, Patrick S. – In the Black (inscribed) [2022.01.21]
  10. Haeger, Jen – Moonlight Medicine: Onset (Dragon’s Roost Press, inscribed) [2022.01.21]
  11. Haeger, Jen – Whispers of a Killer (Scarsdale Publishing, inscribed) [2022.01.21]
  12. Hans, Sarah – An Ideal Vessel (Dragon’s Roost Press) [2022.01.21]
  13. Hans, Sarah – Dead Girls Don’t Love (Dragon’s Roost Press) [2022.01.21]
  14. Cancre, Anton – Meaningless Cycles in a Vicious Glass Prison (Dragon’s Roost Press) [2022.01.21]
  15. Lee, Yoon Ha – The Fox’s Tower and Other Tales [2022.01.22]
  16. Duffy, Damien, Jennings, John, and Butler, Octavia E. – Parable of the Sower [2022.01.22]
  17. Harrison, Jim – Complete Poems, limited edition boxed set (Copper Canyon Press) [2022.01.27]

February (4)

  1. Poetry #219.5 [2022.02.01]
  2. Tales from the Magician’s Skull #7 [2022.02.16]
  3. Aquilone, James (editor) – Classic Monsters Unleashed (Black Spot Books, Crystal Lake Publishing) [2022.02.19]
  4. James, Marlon – Moon Witch, Spider King [2022.02.27]

March (8)

  1. Poetry #219.6 [2022.03.04]
  2. Pulphouse Fiction Magazine #16 [2022.03.08]
  3. Ashton, Dyrk – War of Gods (self published) [2022.03.11]
  4. Alexander, Connor – Coyote & Crow: Core Rulebook [2022.03.14]
  5. Coolidge, Sarah (editor) – This Is Us Losing Count (Two Lines Press) [2022.03.17]
  6. Barakat, Najwa (Leafgren, Luke, translator) – Mister N (And Other Stories) [2022.03.19]
  7. The Paris Review #239 [2022.03.23]
  8. Poetry #220.1 [2022.03.29]

April (12)

  1. Lawson, Len, Manick, Cynthia, and Jackson, Gary (editors) – The Future of Black (Blair) [2022.04.01]
  2. Ono, Masatsugu (Carpenter, Juliet Winters, translator) – At the Edge of the Woods (Two Lines Press) [2022.04.05]
  3. Hilbig, Wolfgang (Cole, Isabel Fargo, translator) – The Interim (Two Lines Press) [2002.04.05]
  4. Zerán, Alia Trabucco (Hughes, Sophie, translator) – When Women Kill (And Other Stories) [2022.04.06]
  5. Salvage #11 [2022.04.08]
  6. Alles, Colleen – After the 8-Ball (Cornerstone Press, inscribed) [2022.04.14]
  7. Peninsula Poets #79.1 (Spring 2022) [2022.04.22]
  8. Barrera, Jazmina (MacSweeney, Christina, translator) – On Lighthouses (Two Lines Press) [2022.04.23]
  9. Barrera, Jazmina (MacSweeney, Christina, translator) – Linea Nigra (Two Lines Press) [2022.04.23]
  10. Renee, Anna – Patina (self-published) [2022.04.26]
  11. Monae, Janelle – The Memory Librarian [2022.04.30]
  12. Gramsci, Antonio – The Antonio Gramsci Reader (New York University Press) [2022.04.30]

May (6)

  1. Poetry #220.2 (May 2022) [2022.05.03]
  2. Ahmed, Saladin and Acosta, Dave – Dragon (Copper Bottle) [2022.05.05]
  3. Girl Genius Sourcebook and Roleplaying Game (Steve Jackson Games) [2022.05.14]
  4. Hurley, Kameron – Future Artifacts: Stories (Apex Book Company) [2022.05.22]
  5. Boston Review #22 [2022.05.26]
  6. Greer, James – Bad Eminence (And Other Stories) [2022.05.28]

June (5)

  1. Voices 2022 [2022.06.04]
  2. Poetry #220.3, June 2022 [2022.06.06]
  3. Barrera, Jazmina (MacSweeney, Christina, translator) – Linea Nigra (special edition chapbook) (Two Lines Press, printed at Impronta Casa Editora) [2022.06.21]
  4. The Paris Review #240 [2022.06.22]
  5. Poetry #220.4, July/August 2022 [2022.06.27]

July (9)

  1. Steffen, David (editor) – The Long List Anthology, Vol. 7 (Diabolical Plots, LLC) [2022.07.03]
  2. Vuong, Ocean – On Earth We’re Briefly Gorgeous [2022.07.05]
  3. Dawes, Kwame – Progeny of Air (Peepal Tree Press) [2022.07.05]
  4. Rosenthal, Linda (editor) – Listening at the Fire: The Poetry of Fountain Street Church (chapbook) [2022.07.05]
  5. Deleuze, Gilles and Guattari, Felix – Nomadology: The War Machine (Semiotext(e)) [2022.07.13]
  6. Creasy, Jonathan C. (editor) – Black Mountain Poems: An Anthology (New Directions) [2022.07.13]
  7. McLean, Robin – Get ’em Young, Treat ’em Rough, Tell ’em Nothing (And Other Stories) [2022.07.23]
  8. Xu Zechen (Abrahamsen, Eric, translator) – Running Through Beijing (Two Lines Press) [2022.07.27]
  9. Villoso, K.S. – The Wolf of Oren-Yaro [2022.07.27]

August (8)

  1. Michael Marder, Political Categories: Thinking Beyond Concepts (Columbia University Press) [2022.08.01]
  2. Sarah Chorn & Virginia McClain (editors) – The Alchemy of Sorrow (Crimson Fox Publishing) [2022.08.03]
  3. Crystal Sarakas and Rhondi Salsitz (editors) – Shattering the Glass Slipper (Zombies Need Brains) [2022.08.06]
  4. S.C. Butler and Joshua Palmatier (editors) – Brave New Worlds (Zombies Need Brains) [2022.08.06]
  5. David B. Coe and John Zakour (editors) – Noir (Zombies Need Brains) [2022.08.06]
  6. Lady Churchill’s Rosebud Wristlet #45
  7. Age of Antiquity: Adventure and Intrigue in the Ancient World (Azurian Publishing) [2022.08.18]
  8. Poetry #220.5, September 2022 [2022.08.27]

September (6)

  1. E.D.E. Bell – Night Ivy (Atthis Arts LLC, inscribed) [2022.09.03]
  2. The Paris Review #241 [2022.09.13]
  3. Hemly Boum (Nchanji Njamnsi, translator) – Days Come and Go (Two Lines Press) [2022.09.14]
  4. Visible (Two Lines Press, Calico Imprint) [2022.09.14]
  5. The Politics of Pleasure: Boston Review Fourm #43 [2022.09.19]
  6. Poetry #221.1, October 2022

October (21)

  1. Jim Harrison, The Search for the Genuine [2022.10.01]
  2. Cathy Park Hong, Minor Feelings [2022.10.01]
  3. João Gilberto Noll (Edgar Garbelotto, translator), Hugs and Cuddles (Two Lines Press) [2022.10.06]
  4. Marissa Lingen, Monstrous Bonds, #93/100 [2022.10.07]
  5. Duncan Hannah, 20th Century Boy [2022.10.07]
  6. Jim C. Hines, Terminal Peace [2022.10.07]
  7. Michael J. Sullivan, Fairlane (Riyria Enterprises) [2022.10.08]
  8. Elizabeth A. Trembley, Look Again: A Memoir (Street Noise Books) [2022.10.11]
  9. Ryan Lee, Planet On3 (self-published) [2022.10.11]
  10. Salvage #12 [2022.10.13]
  11. Jess Landry (editor), That Which Cannot Be Undone: An Ohio Horror Anthology (Cracked Skull Press) [2022.10.13]
  12. Rebecca Giblin and Cory Doctorow, Chokepoint Capitalism (Beacon Press) [2022.10.21]
  13. Poetry #221.2 [2022.10.21]
  14. T.L. Greylock and Bryce O’Connor, Legacy of Bronze (self-published) [2022.10.22]
  15. Anna Urbanek, Herbalist’s Primer (Exalted Funeral Press) [2022.10.22]
  16. Cormac McCarthy, The Passenger [2022.10.26]
  17. Jason Gillikin (editor), Surface Reflections [2022.10.26]
  18. The Lakeshore Review #1 [2022.10.26]
  19. The Lakeshore Review #2 [2022.10.26]
  20. Peninsula Poets, Fall 2022 [2022.10.28]
  21. Xia Jia, A Summer Beyond Your Reach (Clarkesworld Books) [2022.10.28]

November (5)

  1. Sloane Leong and Cassie Hart (editors) – Death in the Mouth [2022.11.07]
  2. Shingai Njeri Kagunda, Yvette Lisa Ndlovu, H.D. Hunter, and LP Kindred (editors), (Re)Living Mythology (Android Press) [2022.11.23]
  3. Nicole Sealey, Ordinary Beasts [2022.11.25]
  4. N.K. Jemisin, The World We Make [2022.11.25]
  5. Poetry #221.3 [2022.11.30]

December (5)

  1. David Steffen (editor) – The Long List Anthology, vol. 8 (Diabolical Plots, LLC) [2022.12.01]
  2. Boston Review: Imagining Global Futures [2022.12.08]
  3. The Paris Review #242 [2022.12.10]
  4. Kathe Koja, Velocities: Stories (Meerkat Press) [2022.12.21]
  5. Kathe Koja, Dark Factory (Meerkat Press) [2022.12.21]
  6. Poetry #221.4 [2022.12.27]

2022 or 2020 II

John Winkelman

Pepper in a cabinet

No new reading material arrived this week, so here is a photo of a properly shelved Pepper.

I had this whole past week off from work and I spent my time taking care of chores around the house, relaxing with my partner Zyra, and wrestling with our little orange maniacs. I didn’t write much of anything, though I did set out a rough weekly and monthly schedule for the first half of the new year, as well as some goals I would like to complete before my birthday in the first week of June.

I have been reading a lot, and it has been great! I finished The Eternal Husband and Other Stories (Dostoevsky) and Debt: The First 5,000 Years (Graeber), and to celebrate I dove into my stack of unread genre fiction. I read John Scalzi‘s The Collapsing Empire on Wednesday, Jim C. Hines‘ Terminal Uprising on Thursday, and This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone on Friday.

And as far as literary matters go for 2021, that’s a wrap. Happy New Year, everyone.

December 2021 Reading List

John Winkelman

Books read in December 2021

Reading-wise, this month started out slowly. Between the mental fatigue of finishing NaNoWriMo and the emotional fatigue of GODDAMN EVERYTHING, I didn’t have much brain power left to work my way through the two books I started reading back in October (Graeber) and December (Dostoevsky). Dostoevsky and Graeber are brilliant and rewarding writers, but wow, do they require a lot of focus and mental energy to read attentively.

As a counterbalance, as soon as I finished the Graeber I picked up a few books from my embarrassingly large pile of unread genre fiction. These books were much easier to read. This is not to say that genre fiction is on its face light or inconsequential. The Scalzi, Hines, and El-Mohtar/Gladstone volumes were much easier to read simply because they were (a) not Dostoevsky, and (b) not an economic treatise which covers the previous five millennia of world history.

Jim Harrison’s book sneaked in at the top of the list because I picked it up after the arrival of his Collected Poems at the beginning of the month, and essays about food make for comforting reading.

All of the short prose I read this month was contained in the Dostoevsky. Six birds with one stone. Or maybe one bird with five pebbles, depending on how one splits that particular hair.

Books

  1. Harrison, Jim, The Raw and the Cooked (reread, 2021.12.14)
  2. Dostoevsky, Fyodor (Volokhonsky, Larissa, and Pevear, Richard, translators), The Eternal Husband and Other Stories (2021.12.27)
  3. Graeber, David, Debt: The First 5,000 Years (2021.12.28)
  4. Scalzi, John, The Collapsing Empire (2021.12.29)
  5. Hines, Jim C, Terminal Uprising (2021.12.30)
  6. El-Mohtar, Amal and Gladstone, Max – This Is How You Lose the Time War (2021.12.31)

Short Prose

  1. Dostoevsky, Fyodor, “A Nasty Anecdote”, The Eternal Husband and Other Stories (2021.12.05)
  2. Dostoevsky, Fyodor, “The Eternal Husband”, The Eternal Husband and Other Stories (2021.12.26)
  3. Dostoevsky, Fyodor, “Bobok”, The Eternal Husband and Other Stories (2021.12.27)
  4. Dostoevsky, Fyodor, “The Meek One”, The Eternal Husband and Other Stories (2021.12.27)
  5. Dostoevsky, Fyodor, “The Dream of a Ridiculous Man”, The Eternal Husband and Other Stories (2021.12.27)

2021 In Review

John Winkelman

Poe and Pepper, asleep on my lap

Oh, 2021 was a hell of a year. I don’t think there’s any argument there. It was certainly one of the most stressful and uncertain years in my life. The successive waves of COVID variants spreading through the world, accompanied by hundreds of thousands of deaths in the USA, and millions more in the rest of the world, made it difficult to concentrate on anything beyond getting from one day to the next. It wasn’t just that the news (as well as the “news”) was distracting; it was that in the context of a global pandemic, everything else seemed a little (or a lot) less important.

Relationship

The high point of 2021, no doubt about it, was my relationship with my partner Zyra, who I have been with for a little over four years, and with whom I have been cohabiting for a little over two. We continue to find comfort and joy in each others’ presence, and are good at working through moments of stress and friction and coming out the other side, closer and stronger.

In April, Zyra officially started her business Gallafe (pronounced “GALA-fey”), making Filipino food and selling it at the Fulton Street and Holland Farmer’s Markets. She also began holding popup dinner specials on alternating Fridays, as well as the occasional Sunday brunch offering and a regular delivery to the South East Market. She has made amazing progress in a short amount of time, and this in the second year of an ongoing pandemic. I have been assisting her where I can, primarily with massages and running errands. And as of the last day of the year, she can be found on DoorDash, if you are in Grand Rapids and search for Asian food or simply “Gallafe.”

Last Christmas we picked up a new cat, Pepper, from the same Upper Peninsula farm where we adopted Poe the year before. Being from the same colony as Poe, they are related in at least one way. They are certainly cousins, though Poe might also be Pepper’s aunt, at no more that two steps removed.

As Zyra recently pointed out, Pepper is Poe’s emotional support animal. The cats have been an absolute joy, providing Zyra and I with endless entertainment and affection, and offering a release valve of sorts for our relationship, giving us other living creatures to focus our attentions on, which was vital for the long days of us having no other human interaction than with each other. Having lived with cats for two years now, I can’t imagine ever going back to a pet-free household.

Martial Arts

Master Lee’s School of Tai Chi Praying Mantis Kung Fu and Tai Chi Jeung continued to meet throughout this past year, online from January through the middle of March, and outside at Wilcox Park in the Eastown neighborhood of Grand Rapids through the end of October. We are now holding hybrid classes, in person at From the Heart Yoga and Tai Chi Center, the studio senior instructor Rick Powell runs with his wife Behnje Masson. We have a camera set up so students who are not comfortable practicing in person can participate remotely.

I and our other assistant instructor Tracy also hold informal “office hours” over Zoom to assist students in the time between classes, which has been a big help for the remote-only students, as well as a morale booster for me, because it provides a little more human interaction, which has been sorely restricted for the past two years.

We are able to practice about 75% of our pre-COVID curriculum. Out of an abundance of caution we are forgoing most drills and exercises which involve more than incidental personal contact. We hope that this will change as we move into the new year, but with new COVID variants spreading through the country we are trying to be patient. Better to have to re-learn a few skills in a year than to be the vector for one of our students becoming seriously ill.

Reading

2021 was a good year for reading. I started the year with Dostoevsky’s The Brothers Karamazov, which I have tried but failed to complete several times of the past three decades, but this time I made it through to the end. And I ended the year with Dostoevsky’s The Eternal Husband and Other Stories, as it seemed appropriate to book-end the year with classic Russian literature. In between I was all over the place, reading genre and literary fiction, a wide variety of nonfiction, and many books of poetry. The grand total for the year was 57 books and over 120 short stories read.

Writing

Much to my surprise, considering how 2020 sputtered and ground to a halt at the beginning of November, 2021 was an excellent year for writing. I completed drafts of two short stories and over 30 poems, and am over halfway done with the pre-first draft of my NaNoWriMo book Racing the Flood Down to the Sea.

Friends and Family

This is where 2021 was the worst. I lost four friends this year, and in early September my mother, Sharon Prine, passed away just after her 84th birthday. Surprisingly, none of them died of COVID, which shows that even in the middle of this pandemic, the mundane world is still taking its toll.

So I will go into 2022 with holes in my life in the shape of Simon, Bill, Caroline, Beth, and Mom.

Work

I am still employed at the same company, and plan to remain here until I either retire or am made redundant. For most of the year I have been on one project, which in other years would become boring and unsatisfying, but for this year, predictability and stability are very much a good thing. And I am learning many new skills.

To Sum Up

I am glad that 2021 is over. Though I had some small personal triumphs and accomplishments, overall it was a year full of hellish stress, and though I am resigned to the fact that whatever is going on now is likely the New Normal, I am tired of reacting to the slings and arrows, or waiting for them to find another target. If I have a  goal or resolution for the new year it is to begin digging myself out of the deep funky hole I have been in for most of the past two years.

One More Week

John Winkelman

Poe and Pepper, asleep in bed

One more week to go in 2021, and though I don’t expect 2022 to start out any differently than 2021 ended, it will be good, in terms of the zeitgeist, to put this year behind me.

Christmas was quiet this year. I avoided all of the extended-family gatherings and only went to a Christmas Eve dinner with my partner, my brother and his wife and daughters, and our recently-widowed stepfather. It went well, quiet and full of good food and good company.

No new books arrived in the Christmas week, so here is a photo of our little orange maniacs, taking a break from being maniacs (but not from being orange).

In reading news, I expect to finish both Debt and The Eternal Husband this week, and maybe start one of the books I hope to get signed at ConFusion next month, assuming the Omicron variant doesn’t cause it to be cancelled at the last minute.

In writing news, there is, at the moment, no writing news. Maybe next week. Rinse, repeat.

Two More Weeks

John Winkelman

New reading material for the week of December 12, 2021

Brief update. Too tired and burned out to throw a lot of detail into this week’s post.

one book and one magazine arrived in the past week.

First up is Vital: The Future of Healthcare, an anthology of speculative stories about what health care might look like in the coming months, years and decades. This was another of the delayed Kickstarter rewards I have written about previously, and once again, no harm and no foul, here in the middle of an ongoing pandemic.

Next is issue 1 of Inque Magazine, from another Kickstarter campaign. Yes, that is a literary journal. And yes, it is that big.

In reading news, I read Jim Harrison’s collection of food writing The Raw and the Cooked. This was prompted by the release last week (and my receipt of) of Harrison’s Complete Poems. I am also making good progress with Graeber’s Debt: The First 5,000 Years and Dostoevsky’s The Eternal Husband and Other Stories. I feel confident that I will complete them this month, which will give me time to get caught up on my genre fiction in the run up to ConFusion 2022, assuming the upsurge in COVID doesn’t cause the con to be cancelled again.

In writing news, there is not a lot happening other than journaling, thanks to a general malaise. I have a lot of great ideas, but right now the though of writing them down exhausts me.